‘How can you say to me I am a King?’: New Historicism and its (Re)interpretations of the Design of Kingly Figures in Shakespeare’s History Plays

IF 0.1 0 LITERATURE, BRITISH ISLES
James W. Dale
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引用次数: 0

Abstract

The 1980’s saw the emergence of New Historicist criticism, particularly through Stephen Greenblatt’s work. Its legacy remains influential, particularly on Shakespearean Studies. I wish to outline New Historicist methodological insights, comment on some of its criticisms and provide analytical comments on the changing approach to historical plays, asking “What has New Historicism brought into our understanding of historical plays and the way(s) of designing kingly power?” Examining Shakespeare’s second tetralogy, I will review Greenblatt’s contention that these plays largely focus on kingly power and its relationship to “subversion” and “containment”. I intend to focus on aspects of the plays that I believe have not received enough attention through New Historicism; particularly the design of the kingly figures.
“你怎么能对我说我是国王?”:新历史主义及其对莎士比亚历史剧中国王形象设计的(再)解读
20世纪80年代见证了新历史主义批评的出现,特别是通过斯蒂芬·格林布拉特的作品。它的遗产仍然具有影响力,特别是在莎士比亚研究方面。我想概述一下新历史主义方法论的见解,对它的一些批评进行评论,并对历史剧研究方法的变化提供分析性评论,问“新历史主义给我们对历史剧和设计王权的方式的理解带来了什么?”在研究莎士比亚的第二部四部曲时,我将回顾格林布拉特的观点,即这些戏剧主要关注王权及其与“颠覆”和“遏制”的关系。我想把重点放在我认为在新历史主义中没有得到足够重视的戏剧方面;尤其是国王雕像的设计。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
13 weeks
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