"But Why No Women Write, I Pray?" Sarah Jinner’s Defence of Women’s Public Voice in Her Almanacs

IF 0.1 3区 社会学 0 LITERATURE, BRITISH ISLES
Susana Oliveira
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引用次数: 0

Abstract

In seventeenth century England women writers had already been able to move beyond the two genres of writing that had initially been approved for them: translation and devotional literature. It is noteworthy, however, to acknowledge women as authors of almanacs, considering that these writings required a scientific background based upon a specific education in medicine and astrology usually inaccessible to women. Between 1658 and 1664, Sarah Jinner emerged as the first woman author of almanacs. Besides the anticipated prophecies and medical advice, this London astrologer also advocated women’s public voice in her works: “But why no women write, I pray?” Jinner used these popular and widely read Early Modern English texts to publicise her defence of women. This paper focuses on Jinner’s open challenge to the Aristotelian perspective on women and her defence of women’s public voice.
“但是为什么没有女人写作,我祈祷?”莎拉·金纳在她的年鉴中为妇女的公共声音辩护
在17世纪,英国女作家已经能够超越最初被认可的两种写作类型:翻译文学和虔诚文学。然而,值得注意的是,要承认妇女是历书的作者,因为这些著作需要以妇女通常无法获得的医学和占星术方面的特殊教育为基础的科学背景。1658年至1664年间,莎拉·金纳(Sarah Jinner)成为第一位女性年鉴作者。除了令人期待的预言和医疗建议,这位伦敦占星家还在她的作品中倡导女性的公共声音:“但我想,为什么没有女性写作呢?”金纳用这些广受欢迎和广泛阅读的早期现代英语文本来宣传她对女性的保护。本文主要探讨金纳对亚里士多德女性观的公开挑战,以及她对女性公共话语权的捍卫。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.40
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期刊介绍: SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.
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