{"title":"Reverso y negatividad: entreguerras de José Manuel Caballero Bonald","authors":"C. Lin","doi":"10.32735/s0718-2201201900049743","DOIUrl":null,"url":null,"abstract":"The present study focuses on Jose Manuel Caballero Bonald’s poetic work entitled Entreguerras in which the biographical experiences merge into the linguistic ones. The poetry characterized by elements of antithesis and negativity presents a self-criticism based on oppositions and a poetic word against itself. Moreover, it is an anti-biography in which an ensemble of places in the memory becomes imaginary and textual no-places. It is not the past which builds the self-writing and memory. Rather, it is the poetic duration, which implies the saying-now, that impulses the poet to create and progress along with the past.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"37 1","pages":"77-93"},"PeriodicalIF":0.1000,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Alpha-Revista de Artes Letras y Filosofia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32735/s0718-2201201900049743","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
The present study focuses on Jose Manuel Caballero Bonald’s poetic work entitled Entreguerras in which the biographical experiences merge into the linguistic ones. The poetry characterized by elements of antithesis and negativity presents a self-criticism based on oppositions and a poetic word against itself. Moreover, it is an anti-biography in which an ensemble of places in the memory becomes imaginary and textual no-places. It is not the past which builds the self-writing and memory. Rather, it is the poetic duration, which implies the saying-now, that impulses the poet to create and progress along with the past.