The Synergy of the Traditional Plant Motif and Its Cultural Values in Enhancing Place Identity of the Muslim Royal Town

IF 0.3 3区 艺术学 N/A ARCHITECTURE
Intan Khasumarlina Mohd Khalid, N. Ismail, O. M. Tahir
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引用次数: 0

Abstract

The fast-changing growth of new developments in a Malay Royal Town to create new attractions with various forms of architectural expressions has given a direct impression on the street level, affecting the survival of the buildings along a heritage area. As a result, it will tarnish the original character of the place and disappear the image. A deficit of visual representation for injecting place attachment through the traditional plant motif symbolizes cultural value. This paper aims to identify the qualitative responses to the visual representation of plant motifs in enhancing the royal Town of Kuala Kangsar, conducted semi-structured interview participants based on purposive sampling, including professionals, policymakers, and skilled practitioners categories. The data was analyzed through qualitative coding using Atlas Ti 8.0. The significant findings reveal that the Kalumpang Flower motif, the Melur Flower Motif, and the Motif of Asam Batu leaf is the plant's motif element categorized under the royal image motif, which has a specific meaning related to the historical and cultural background. Most importantly, this finding contributes to assessing the details of the plants' motif representation to assist the city council in preserving the unique and valuable historical heritage of the place image of the Royal Town Kuala Kangsar, Perak.
传统植物母题及其文化价值在提升穆斯林皇城地方认同中的协同作用
马来皇家小镇的新发展迅速发展,创造了各种形式的建筑表现形式的新景点,在街道上给人留下了直接的印象,影响了遗产地区建筑的生存。因此,它会玷污地方的原有特征,使图像消失。通过传统的植物主题注入地方依恋的视觉表现的缺失象征着文化价值。本文旨在确定对植物图案视觉表现的定性反应,以增强吉隆坡康沙皇家城,进行了半结构化的访谈参与者,包括专业人士,政策制定者和熟练从业者类别。数据采用Atlas Ti 8.0进行定性编码分析。研究结果表明,Kalumpang Flower motif、Melur Flower motif和Asam Batu leaf motif是属于皇家意象motif的植物motif元素,具有与历史文化背景相关的特定意义。最重要的是,这一发现有助于评估植物主题代表的细节,以协助市议会保护霹雳州皇家城吉隆坡康萨的独特和宝贵的历史遗产。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.
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