Homosexual Identity Development in E.M. Forster’s Maurice: How Characters Accept Their Homosexuality

Bayu Prawita Putra
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Abstract

This paper aims to elaborate on Maurice Hall’s homosexual identity development in Maurice. It uses Richard R. Troidden’s homosexual identity development model that describes how committed homosexuals recall the process of accepting homosexuality as their identity. This theory covers four stages; sensitization, identity confusion, identity assumption, and commitment. The analysis discovers that Maurice Hall experiences happiness and sorrow in his journey as he encounters two major characters, Clive Durham and Alec Scudder. Maurice Hall fully accepts his homosexuality once he meets Alec Scudder who encourages Maurice to be his lover. This paper concludes that Maurice Hall’s homosexual identity development is mostly influenced by people surrounding him such as Clive Durham who makes Maurice depressed due to a sudden break-up and Alec Scudder who makes Maurice later fully accepts his homosexuality. However, the ending seems happy since Maurice finally finds his romantic partner but it implicitly tells that homosexuality was unacceptable at the time, therefore, Maurice Hall and Alec Scudder find a new place to live together.
福斯特的《莫里斯》中同性恋身份的发展:人物如何接受他们的同性恋
本文旨在阐述莫里斯·霍尔在《莫里斯》中同性恋身份的发展。它使用了Richard R. Troidden的同性恋身份发展模型,该模型描述了坚定的同性恋者如何回忆接受同性恋作为他们身份的过程。该理论包括四个阶段;敏化、身份混淆、身份假设和承诺。分析发现,莫里斯·霍尔在旅途中遇到了两个主要角色克莱夫·达勒姆和亚历克·斯卡德尔,经历了快乐和悲伤。莫里斯·霍尔在遇到亚历克·斯卡德尔后完全接受了自己的同性恋身份,斯卡德尔鼓励莫里斯做他的情人。本文的结论是莫里斯·霍尔的同性恋身份发展主要受到他周围人的影响,如Clive Durham使莫里斯因突然的分手而感到沮丧,Alec Scudder使莫里斯后来完全接受了他的同性恋身份。然而,结局似乎很幸福,因为莫里斯终于找到了他的浪漫伴侣,但它暗示了同性恋在当时是不可接受的,因此,莫里斯·霍尔和亚历克·斯卡德尔找到了一个新的地方住在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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