Economia politica dello spettacolo nella Lettre à d’Alembert

Q4 Arts and Humanities
Jean Courtois
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引用次数: 0

Abstract

In his answer to d’Alembert’s article on Geneva published in the Encyclopedie, Rousseau discusses the traditional platonic problem of mimesis and moral justification of dramatic performances in order to reject the project of establishing a theatre in the small Swiss republic. In this paper, the author shows how strictly this problem was connected to a political one according to Rousseau’s way of thinking: in a democratic nation, citizens’ good morals must be preserved from the corruptive power of theatre in so far as it implies the introduction of idleness, bad emulation, and a liking for ostentation. Finally, the author stresses the fundamental importance Rousseau attaches, on the contrary, to civic feasts for maintenance of public good morals.
阿朗伯特床上的表演政治经济学
在他对达朗贝尔在《百科全书》上发表的关于日内瓦的文章的回答中,卢梭讨论了戏剧表演的模仿和道德辩护的传统柏拉图问题,以拒绝在小瑞士共和国建立剧院的计划。在本文中,作者根据卢梭的思维方式,展示了这个问题与政治问题的紧密联系:在一个民主国家,公民的良好道德必须从戏剧的腐败力量中得到保护,因为它意味着引入懒惰,不良模仿和对炫耀的喜爱。最后,作者强调了卢梭对公民盛宴的根本重要性,相反,这是为了维护公共善道德。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Montesquieu.it
Montesquieu.it Arts and Humanities-History
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5
审稿时长
20 weeks
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