In the Shadow of the First Big Break

Henrik Fürst
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引用次数: 1

Abstract

There are more aspiring artists than available positions for artists in artistic la­bor markets. For fiction writers, the publication of a first book often means getting the first big break in their literary career and entering the literary world as a published author. However, few writers succeed in their aspiration to become published. This article draws on interviews with 59 writers in Sweden, to explore the tension resulting from the passing of time while aspiring for, but not having, the first big break. The aspiration among writers is an orientation towards attempting to publicly communicate their fiction writing through a published book. Interruptions to the aspiration can create existential dilemmas of unfulfilled aspirations. The unfulfillment of the aspiration may be existentially responded to through “urgency” or “floating”, where the writer actively pushes for success or loses the aspiration. The article addresses aspiration in situations where artists’ chances for success are uncertain and are decided by gatekeepers. The theoretical framework developed is useful for understanding aspiration over time vis-a-vis existential dimensions of artistic careers which do not conform to an aspired for, ideal career.
在第一次重大突破的阴影下
有抱负的艺术家比艺术劳动力市场上可供艺术家的职位要多。对于小说作家来说,出版第一本书通常意味着在他们的文学生涯中获得了第一个重大突破,并作为一名出版作家进入了文坛。然而,很少有作家能实现自己的出版愿望。这篇文章通过对瑞典59位作家的采访,探讨了时间的流逝所带来的紧张,他们渴望获得第一次重大突破,但却没有。作家们的愿望是试图通过出版的书来公开交流他们的小说创作。对愿望的中断可能会造成未实现愿望的存在困境。抱负的未实现可以通过“迫迫性”或“漂浮性”的存在性反应,即作者积极地推动成功或失去抱负。这篇文章阐述了艺术家成功的机会是不确定的,并由看门人决定的情况下的愿望。所开发的理论框架有助于理解随着时间的推移,与不符合所渴望的理想职业的艺术职业的存在维度相比较的愿望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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