Women, class, and the language of madness in early modern English drama

IF 0.1 3区 社会学 0 LITERATURE, BRITISH ISLES
S. Clark
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引用次数: 0

Abstract

This paper discusses the depiction of madwomen in a range of early modern English plays including some by Shakespeare in order to show how their madness operates at the intersection of gender, genre, and social class. Its particular focus is on language, and it argues that the speech styles of madwomen are essentially similar whatever their social class. For women, madness is a linguistically liberating condition, bringing together high and low cultural discourses. While stage madwomen’s language has similarities with that of madmen, it is more licentious and transgressive because the violation of social and behavioural norms is more extreme.
早期现代英国戏剧中的女性、阶级和疯狂语言
本文讨论了一系列早期现代英国戏剧中对疯女人的描述,包括莎士比亚的一些戏剧,以展示她们的疯狂是如何在性别、体裁和社会阶层的交叉点上运作的。它特别关注语言,并认为疯女人的语言风格本质上是相似的,无论她们的社会阶层如何。对女性来说,疯狂是一种语言上的解放状态,将高雅和低俗的文化话语结合在一起。虽然舞台疯女人的语言与疯子的语言有相似之处,但由于对社会和行为规范的违反更为极端,因此更加放肆和违法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
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0
期刊介绍: SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.
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