Reifying luxury, gold to golden: How the showroom became a digital showreel, from object (gold) to experience (golden) ‐ experiencing luxury by abstracting the object

Q1 Arts and Humanities
S. Carta, Pieter De Kock
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引用次数: 5

Abstract

This article focuses on the notion of space of luxury. It explores the passage of time; in how showrooms and flagship stores, embedded in the tradition of symbolism and paradigms of symbolic elements, intersect with cutting-edge digital technologies. Also analysed is the resulting customer experience, evident at this meeting between old and new technologies. This study consists of three parts. First, a framework is established by way of a discussion of key concepts underpinning the physical, symbolical and cultural characteristics of the architecture of consumerism and luxury. Second, several case studies are examined to help understand the transition from the use of physical elements (materials, spatial qualities, lighting and surfaces), which generate exclusivity, surprise and sophistication in high-end showrooms, to the employment of new digital technologies ‐ where the luxury component is provided by access to exclusive information and experience. The final part discusses how data and information technologies are radically transforming the current luxury market, where luxury is based on accessibility, visibility and perception. Traditionally luxury spaces were based on a physical demarcation of territories of exclusivity. This contrasts with new luxury spaces that allow for exclusivity to be invisible and ubiquitous; enhancing not only its own imposition of narrow market segmentation, but also acting as bridging elements into every other market sector. Traditionally, the quality and durability of experience around visual meaning, has always been a prerequisite for luxury. As our visual world reorients around the invisible, what we cannot see still has to be sustainable to the point of scarcity. This study holds that visual sustainability, as part of the larger orbit of perception’s five senses, still remains the primary container of meaning, because we see through our experience. Through this experience then, luxury is reinventing itself as a digital showreel; not only of what exists, but of what is possible.
奢侈品的物化,黄金到黄金:展厅如何成为一个数字展盘,从物体(黄金)到体验(黄金)——通过抽象物体来体验奢侈品
这篇文章关注的是奢侈空间的概念。它探索了时间的流逝;在展厅和旗舰店,嵌入传统的象征主义和象征元素的范例,如何与尖端的数字技术相交。还分析了由此产生的客户体验,这在新旧技术之间的会议上很明显。本研究由三个部分组成。首先,通过讨论消费主义和奢侈品建筑的物理、象征和文化特征的关键概念,建立了一个框架。其次,研究了几个案例研究,以帮助理解从物理元素(材料,空间质量,照明和表面)的使用过渡,这些元素在高端展厅中产生排他性,惊喜和复杂性,到新数字技术的使用-通过访问独家信息和体验提供奢侈品组件。最后一部分讨论了数据和信息技术如何从根本上改变当前的奢侈品市场,其中奢侈品是基于可访问性,可见性和感知。传统上,豪华空间是建立在排他性领土的物理划分基础上的。这与新的豪华空间形成鲜明对比,后者允许排他性是无形的和无处不在的;不仅加强了自己对狭窄市场细分的强加,而且还作为进入其他市场部门的桥梁因素。传统上,围绕视觉意义的品质和耐用性体验,一直是奢侈品的先决条件。当我们的视觉世界围绕着看不见的东西重新定位时,我们看不见的东西仍然必须是可持续的,直到稀缺的地步。这项研究认为,视觉的可持续性,作为感知的五种感觉的更大轨道的一部分,仍然是意义的主要容器,因为我们通过我们的经验来看待。通过这种体验,奢侈品正在将自己重塑为一个数字展示盘;不仅是对已经存在的东西,还有对可能存在的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Design, Business and Society
Journal of Design, Business and Society Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.40
自引率
0.00%
发文量
6
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