GOLPE TRAS GOLPE: VIOLENCIAS EN MORIR (UN INSTANTE ANTES DE MORIR) Y LA SANGRE, DE SERGI BELBEL

Q3 Arts and Humanities
Jorge Aznar Canet
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引用次数: 0

Abstract

Over the last few decades, we have witnessed how violence in fiction —as much in the television and cinema realm as in the theatre— has considerably multiplied. Sergi Belbel elaborates on various forms of violence and aggressiveness throughout his drama production, particu- larly in his plays Morir (un instante antes de morir) and La sangre. The aim of this article is to systematize the diverse displays of these phenomena in both texts on the basis of the taxonomies proposed by psychiatrist Luis Rojas Marcos in Las semillas de la violencia and biopsychologist John W. Renfrew in Agresión: naturaleza y control with a view to elucidate what types of violence and aggression are more recurrent and to draw conclu- sions on the function they play.
一击接一击:死亡中的暴力(死亡前一刻)和塞吉·贝尔贝尔的血
在过去的几十年里,我们目睹了小说中的暴力——在电视和电影领域以及在戏剧领域——是如何成倍增长的。塞尔吉·贝尔在他的戏剧作品中详细阐述了各种形式的暴力和侵略性,特别是在他的戏剧《Morir》和《La sangre》中。本文的目的是在精神病学家Luis Rojas Marcos在《Las semillas de la violencia》和生物心理学家John W. Renfrew在《Agresión: natural aleza y control》中提出的分类法的基础上,对这两种文本中这些现象的不同表现进行系统化,以阐明哪种类型的暴力和攻击更经常发生,并得出它们所起作用的结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Acotaciones
Acotaciones Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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0.00%
发文量
15
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