{"title":"Depicting Race","authors":"Hans de Jonge","doi":"10.1163/18253911-bja10053","DOIUrl":null,"url":null,"abstract":"\n This paper explores the background and historical context of a newly discovered mid-nineteenth-century portrait of Aquasi Boachi and Kwame Poku, two princes from present-day Ghana who came to the Netherlands in 1837. The portrait—recently acquired by Rijksmuseum Boerhaave—appears to originate from the collection of the Dutch naturalist and physical anthropologist Jan van der Hoeven (1801–1868) the author of one of the fist books on the anthropology of African people to be published in the Netherlands (1842). I will show the portrait was part of a broader anthropological collection, which—apart from a large number of “national skulls”—included “characteristic portraits” of various human races, including Africans. I describe what role the portrait played in Van der Hoeven’s collection and how it reveals deeply held convictions of Van der Hoeven and contemporaries about the fundamental “otherness” of the African race.","PeriodicalId":54710,"journal":{"name":"Nuncius-Journal of the History of Science","volume":"15 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nuncius-Journal of the History of Science","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1163/18253911-bja10053","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
This paper explores the background and historical context of a newly discovered mid-nineteenth-century portrait of Aquasi Boachi and Kwame Poku, two princes from present-day Ghana who came to the Netherlands in 1837. The portrait—recently acquired by Rijksmuseum Boerhaave—appears to originate from the collection of the Dutch naturalist and physical anthropologist Jan van der Hoeven (1801–1868) the author of one of the fist books on the anthropology of African people to be published in the Netherlands (1842). I will show the portrait was part of a broader anthropological collection, which—apart from a large number of “national skulls”—included “characteristic portraits” of various human races, including Africans. I describe what role the portrait played in Van der Hoeven’s collection and how it reveals deeply held convictions of Van der Hoeven and contemporaries about the fundamental “otherness” of the African race.
本文探讨了一幅新发现的19世纪中期Aquasi Boachi和Kwame Poku的肖像的背景和历史背景,这两位王子来自今天的加纳,于1837年来到荷兰。这幅肖像画最近被布尔哈夫国立博物馆收藏,似乎来自荷兰博物学家和体质人类学家扬·范德胡芬(Jan van der Hoeven, 1801-1868)的收藏,他是最早在荷兰出版的关于非洲人人类学的书籍之一(1842年)。我将展示这幅肖像是一个更广泛的人类学收藏的一部分,除了大量的“民族头骨”外,还包括各种人类的“特征肖像”,包括非洲人。我描述了这幅肖像在范德胡芬的收藏中所扮演的角色,以及它如何揭示了范德胡芬和同时代人对非洲种族基本“差异性”的深刻信念。
期刊介绍:
Nuncius is a peer-reviewed, international journal devoted to the historical role of material and visual culture in science.
Nuncius explores the material sources of scientific endeavor, such as scientific instruments and collections, the specific settings of experimental practice, and the interactions between sciences and arts. The materiality of science is a fundamental source for the understanding of its history, and the visual representation of its concepts and objects is equally crucial. Nuncius focuses on the exploration of increasingly-varied modes of visual description of observed reality. Founded in 1976, Nuncius was originally published as Annali dell''Istituto e Museo di Storia della Scienza.