{"title":"The (De)Colonial Praxis: Confronting Present-Day Dilemmas of Transforming Knowledges and Societies in Kopano Matlwa’s Spilt Milk","authors":"Ndumiso Ncube","doi":"10.25159/1753-5387/11455","DOIUrl":null,"url":null,"abstract":"Contemporary South African campus fiction has always been concerned with questions of power, being, and knowledge production. Kopano Matlwa’s novel Spilt Milk, like most campus fiction, evokes and challenges the South African academy, and looks at ways of making the school and/or university a hospitable place. Unlike Matlwa’s sister novels Coconut and Period Pain, Spilt Milk has received few scholarly reviews. I examine how the novel reveals and can be read as a starting point in exploring the intellectual dimensions of colonialism. I investigate the decolonial concept of the coloniality of knowledge and Matlwa’s seeming quest for decolonial education by foregrounding the educational institution Sekolo sa Ditlhora as the prime setting of the novel. The argument around the coloniality of knowledge I advance here is akin to current debates seeking to decolonise (or Africanise) education in South African schools and universities. Theoretically, this article draws from the decolonial ideas on the coloniality of knowledge whose foundations were laid by the Peruvian sociologist Aníbal Quijano, who suggested that, for global domination, colonisers imposed their own modes of knowing and methods of producing knowledge. The concept of the coloniality of knowledge in Matlwa’s fiction is multifaceted since it speaks to the colonisation of space, education, languages, and the ways of life of the colonised people. Following the 2015 #RhodesMustFall protests at South African universities, I argue that the characterisation of Mohumagadi, and her foregrounding of Africa as an epistemic site from which she interprets the world, is an attempt at moving the centre.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"106 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Literary Studies","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.25159/1753-5387/11455","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
Contemporary South African campus fiction has always been concerned with questions of power, being, and knowledge production. Kopano Matlwa’s novel Spilt Milk, like most campus fiction, evokes and challenges the South African academy, and looks at ways of making the school and/or university a hospitable place. Unlike Matlwa’s sister novels Coconut and Period Pain, Spilt Milk has received few scholarly reviews. I examine how the novel reveals and can be read as a starting point in exploring the intellectual dimensions of colonialism. I investigate the decolonial concept of the coloniality of knowledge and Matlwa’s seeming quest for decolonial education by foregrounding the educational institution Sekolo sa Ditlhora as the prime setting of the novel. The argument around the coloniality of knowledge I advance here is akin to current debates seeking to decolonise (or Africanise) education in South African schools and universities. Theoretically, this article draws from the decolonial ideas on the coloniality of knowledge whose foundations were laid by the Peruvian sociologist Aníbal Quijano, who suggested that, for global domination, colonisers imposed their own modes of knowing and methods of producing knowledge. The concept of the coloniality of knowledge in Matlwa’s fiction is multifaceted since it speaks to the colonisation of space, education, languages, and the ways of life of the colonised people. Following the 2015 #RhodesMustFall protests at South African universities, I argue that the characterisation of Mohumagadi, and her foregrounding of Africa as an epistemic site from which she interprets the world, is an attempt at moving the centre.
期刊介绍:
The Journal of Literary Studies publishes and globally disseminates original and cutting-edge research informed by Literary and Cultural Theory. The Journal is an independent quarterly publication owned and published by the South African Literary Society in partnership with Unisa Press and Taylor & Francis. It is housed and produced in the division Theory of Literature at the University of South Africa and is accredited and subsidised by the South African Department of Higher Education and Training. The aim of the journal is to publish articles and full-length review essays informed by Literary Theory in the General Literary Theory subject area and mostly covering Formalism, New Criticism, Semiotics, Structuralism, Marxism, Poststructuralism, Psychoanalysis, Gender studies, New Historicism, Ecocriticism, Animal Studies, Reception Theory, Comparative Literature, Narrative Theory, Drama Theory, Poetry Theory, and Biography and Autobiography.