Love and Sexuality in Postwar Girls' Culture: Examining Tomishima Takeo's Junior Fiction = 戦後少女文化における恋愛と性愛: 富島健夫のジュニア小説をめぐって

Hiromi Tsuchiya Dollase
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引用次数: 2

Abstract

Abstract:The 1960s and 1970s saw an inundation of novels called "junior fiction" (junia shōsetsu) that dealt with teenage romance. Novelist Tomishima Takeo (1931–98) was a pioneer, driving force, and quintessential author of the genre. He unabashedly depicted the sexual desires of both boys and girls. In so doing, he broke the taboo of girls' magazine stories, which had not touched upon heterosexual love prior to the end of World War II. For him, depicting sexuality was a powerful means of challenging conservativism and educational control of youth. Tomishima introduced sexual love to junior fiction and appeared to have released girl readers from the necessity of conforming to ideals of being proper shōjo (girls) who should not read and talk about sex. However, Tomishima did not advocate changing patriarchal gender norms or advocate for gender equality. This article analyzes how this contradiction influenced his junior fiction.
爱与性爱Postwar Girls'文化:Examining Tomishima Takeo's Junior Fiction =战后少女文化中的恋爱与性爱:围绕富岛健夫的青少年小说
摘要:上世纪六七十年代,以青少年爱情为题材的“青少年小说”(junia shōsetsu)泛滥成灾。小说家富岛武夫(1931 - 1998)是这一流派的先驱、推动者和典型作家。他毫不掩饰地描绘了男孩和女孩的性欲。这样做,他打破了女性杂志故事的禁忌,在第二次世界大战结束之前,这些故事没有触及异性恋。对他来说,描绘性是挑战保守主义和对年轻人的教育控制的有力手段。富岛将性爱引入到青少年小说中,似乎让女孩读者摆脱了必须遵守合适的理想shōjo(女孩),她们不应该阅读和谈论性。然而,富岛并没有主张改变男权的性别规范,也没有主张性别平等。本文分析了这一矛盾是如何影响他的青年小说的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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