The Work of Iron, in Nature, Art, and Policy: A Lecture Delivered at Tunbridge Wells, February 16, 1858

IF 0.6 4区 艺术学 0 ARCHITECTURE
J. Ruskin
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引用次数: 1

Abstract

This lecture was delivered at Tunbridge Wells on February 16, 1858, and later reprinted in The Two Paths, being Lectures on Art, and its application to Decoration and Manufacture (1878). It is a typical piece of Ruskin’s lecturing style (not least in its length) and range of reference. He seeks at the start (this is omitted here) to position himself vis-à-vis his audience, noting a childhood visit to the town and explaining that he did not have any drawings to display and musing on what he might be able to communicate to them that evening. Then he explores how iron is used and received in the three areas that his title announces, and in the process admits—as he notes in the 1878 Preface—to “find them full of things which I did not know I had said.” He notes that his address is directed to “the general student, and to indicate their practical bearing on modern design,” which law he describes as “the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form.”—John Dixon Hunt
铁在自然、艺术和政策中的作用:1858年2月16日在坦布里奇韦尔斯的演讲
这篇演讲是1858年2月16日在坦布里奇韦尔斯发表的,后来被转载在《两条路》中,题为《艺术及其在装饰和制造中的应用》(1878年)。这是一篇典型的罗斯金的演讲风格(不仅仅是它的长度)和引用范围。他一开始就试图(这里省略了这一点)将自己定位于-à-vis他的观众,注意到童年对城镇的访问,并解释说他没有任何绘画可以展示,并沉思着那天晚上他可能能够与他们交流什么。然后,他探索了书名中所提到的三个地区是如何使用和接受铁的,并在这个过程中承认——正如他在1878年的序言中所指出的那样——“发现其中充满了我不知道自己说过的话。”他指出,他的演讲是针对“普通学生,并指出他们对现代设计的实际影响”,他将这一规律描述为“所有高贵的设计,无论何种形式,都依赖于有机形式的雕塑或绘画。”——约翰·迪克森·亨特
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: Change Over Time is a semiannual journal publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material. Past issues have addressed topics such as repair, adaptation, nostalgia, and interpretation and display.
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