Mare, potere e demagogia nella commedia attica

G. Cuniberti
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Abstract

In the face of a single attestation of thalassokratia in ancient Attic comedy, the ancient exegetes have already traced the numerous passages that lead, in mostly critical or ironic terms, to the concept of thalassokratia and especially to the compelling relationship among sea, demos and political power. Aristophanes' comedies remind the audience that the sea is necessary, but it pushes to the boundless search for absolute supremacy that ultimately leads to destruction: it is better to turn to it with moderation, or stay away. However, in addition to Aristophanes, especially the fragments of missing comedies allow to understand the complex and varied relationship between the Athenian demos and the sea, the reference point of the profit of the danger.
阿提卡喜剧中的大海、权力和煽动
面对古代阿提卡喜剧中对海索克拉提亚的单一证明,古代的注释者已经追溯了大量的段落,这些段落大多以批判或讽刺的方式,导致海索克拉提亚的概念,特别是海洋,人民和政治权力之间的引人注目的关系。阿里斯托芬的喜剧提醒观众,大海是必要的,但它推动了对绝对霸权的无限追求,最终导致毁灭:最好是温和地转向它,或者远离它。然而,除了阿里斯托芬之外,尤其是那些缺失的喜剧片段,让我们能够理解雅典民众与大海之间复杂多变的关系,大海是危险利益的参考点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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