The American War Film: History and Hollywood

IF 0.2 0 FILM, RADIO, TELEVISION
Michael S. Shull
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引用次数: 2

Abstract

Frank McAdams. The American War Film: History and Hollywood. Praeger Publishers, 2002. 352 pages; $74.95. Thousands of Movies Frank McAdams, an adjunct professor in the USC Cinema/ TV Department and screenwriting instructor at UCLA, as well as an award-winning Hollywood screenwriter, also fancies himself an expert with regards to Hollywood's portrayal of war on film. The reader is immediately made aware of the magnitude of Mc Adams' lengthy labor of hubris via the frequent author/insider name dropping, idiosyncratic background factoids-the well known gory details of actress Carole Lombard's fatal air crash during a WWII bond selling tour, to name only one-and, most amazingly, the complete absence of any coherent definition of the genre that the author has chosen to engage. One cannot fault Mr. McAdams for attempting to write a work that encompasses the thousands of movies that represent the American film industry's century long effort at portraying war on celluloid. So far, this reviewer is aware of only one individual who has come close to scaling this Pike's Peak in film history scholarship-Dr. Larry Suid-whose seminal Guts & Glory was first published in 1978 and whose revised and extensively expanded edition of his classic appeared in 2002 (University Press of Kentucky). Needless to say, assuming he was even aware of the original publication, Mr. McAdams did not deem Suids' book worthy of inclusion in his bibliography. But why would he need to cite such a comparatively humble source, since McAdams has already informed the reader in his acknowledgments that he was able to consult, among others, such distinguished authorities on the subject as his tennis buddy, the "acclaimed author" of The Dirty Dozen (1967), and Stephen Peck, the retired combat officer son of actor Gregory Peck. After a 28-page whirlwind treatment of the first forty plus years of war films, Mr. McAdams plunges into World War II. Following a somewhat incongruous quote from none other than Winston Churchill, "War is mainly a catalogue of blunders," the reader is regaled with several pages of historical contextualizing, including the cost of renting an apartment in December 1941 in New York City! But the absolute nadir is reached on pages 35-36 when the author provides his reader with an extended list of "established actors... [who] decided to place their careers on hold to enlist" - in addition to naming the many stars who did serve with distinction (Jimmy Stewart, Tyrone Power, Clark Gable, et al.), the list also gratuitously includes, Neville Brand, James Arness, Walter Matthau, Jack Valenti, Rock Hudson, Johnny Carson and Ed McMahon- to the best of this reviewer's knowledge none of these honored veterans in this catalogue of wonders had established acting careers before the war and some never would-most notably the longtime (since 1966) MPAA spokesman, Jack Valenti. One is also less than reassured re McAdams' basic historical knowledge when he notes that the twin-engined specially adapted land-based B-25 bombers of the famous April 1942 Doolittle Raid upon Japan, launched on a planned one way mission from the carrier USS Hornet, did not have enough return fuel. …
美国战争电影:历史与好莱坞
弗兰克·麦克亚当斯。美国战争电影:历史与好莱坞。Praeger出版社,2002。352页;74.95美元。弗兰克·麦克亚当斯是南加州大学电影/电视系的兼职教授,也是加州大学洛杉矶分校的编剧导师,也是一位屡获殊荣的好莱坞编剧,他也自认为是好莱坞电影战争写照方面的专家。读者立即意识到麦克亚当斯冗长的傲慢的程度,通过频繁的作者/内部人士的名字,特殊的背景事实——著名的女演员卡罗尔·隆巴德在二战债券销售之旅中致命的飞机失事的血腥细节,仅举一个例子——最令人惊讶的是,作者选择的类型完全没有任何连贯的定义。麦克亚当斯试图写一部囊括了数千部电影的作品,这是他无可挑剔的,这些电影代表了美国电影工业一个世纪以来在电影胶片上描绘战争的努力。到目前为止,笔者只知道有一个人在电影史研究领域接近于攀登派克峰,他就是琼斯博士。拉里·苏德,其开创性的《胆量与荣耀》于1978年首次出版,其经典著作的修订版和广泛扩充版于2002年出版(肯塔基大学出版社)。不用说,就算麦克亚当斯知道最初的出版版本,他也不认为苏德斯的书值得列入他的参考书目。既然麦克亚当斯已经在致谢中告诉读者,他能够在这个问题上咨询一些杰出的权威,比如他的网球伙伴、《十二人肮脏》(1967)的“广受赞誉的作者”,以及演员格雷戈里·派克的儿子、退役战斗军官斯蒂芬·派克,他为什么需要引用这样一个相对卑微的资料来源呢?在对前四十多年的战争电影进行了长达28页的旋风式处理之后,麦克亚当斯先生将目光投向了第二次世界大战。在引用温斯顿·丘吉尔(Winston Churchill)一句不太协调的话“战争主要是错误的目录”之后,读者会看到好几页的历史背景,包括1941年12月在纽约市租一套公寓的费用!但在35-36页,作者向读者提供了一长串“知名演员……(他们)决定搁置自己的职业生涯去参军”——除了列出了许多在服役中表现出色的明星(吉米·斯图尔特、蒂龙·鲍尔、克拉克·盖博等),这份名单还包括内维尔·布兰德、詹姆斯·阿内斯、沃尔特·马修、杰克·瓦伦蒂、洛克·哈德森、约翰尼·卡森和埃德·麦克马洪——据我所知,这些入选榜单的荣誉老兵在战前都没有建立过演艺事业,有些人甚至从未有过——最著名的是(自1966年以来)长期担任美国电影协会发言人的杰克·瓦伦蒂。当麦克亚当斯指出,在著名的1942年4月杜立特空袭日本行动中,从美国大黄蜂号航空母舰上起飞的经过特殊改装的双引擎陆基B-25轰炸机没有足够的回程燃料时,他的基本历史知识也让人感到不太自信。...
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来源期刊
Film History
Film History FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: The subject of Film History is the historical development of the motion picture, and the social, technological, and economic context in which this has occurred. Its areas of interest range from the technical through all aspects of production and distribution. Active electronic and combined electronic/print subscriptions to this journal include access to the online backrun.
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