Spectacle of Endings: In an “Endless Present”

IF 1 Q3 GEOGRAPHY
Ruth Raynor, C. Veal
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引用次数: 0

Abstract

This Introduction to the special issue on “Creative Endings” thinks across intensities and temporalities to consider the force of “endings” in the contemporary political moment: the multiple timespaces within them, endings as temporalities in their own right, experienced forcefully, unequally, and as generative of dynamic emotional resonances. Whilst often stated, endings remain under-theorised in the discipline. Yet endings are a central form through which the assemblage of representations, materialities, structures and the more-than representational are organised in the orchestration and deliverance of political work. This introduction, and the various papers that follow, begin to address the gap in thinking, by introducing intensities and temporalities as ways to work with both the representational and more-than-representational forces of endings, drawing upon examples from contemporary politics. From here, we propose the creative arts, in occupying the threshold of the representational/more-than-representations, as well placed to intervene on endings. We think the creative arts can help us to know, represent, and intervene in various ends within the current political moment, through their attunement, specifically, to liveness, form and feeling.
结局的奇观:在“无尽的现在”
这篇关于“创造性结局”特刊的导论跨越强度和时间性来思考“结局”在当代政治时刻的力量:其中的多个时间空间,结局本身就是时间性,被强烈地、不平等地体验,并产生动态的情感共鸣。虽然经常被提及,但在这门学科中,结局仍然没有被理论化。然而,结尾是一种中心形式,通过它,表征、物质、结构和超越表征的组合在政治工作的编排和传递中被组织起来。这篇引言,以及随后的各种论文,通过引入强度和时间性作为处理代表性和非代表性结局力量的方式,开始解决思想上的差距,借鉴当代政治中的例子。从这里,我们提出创意艺术,在占据表征/超越表征的门槛时,也可以干预结局。我们认为创造性艺术可以帮助我们了解、表现和干预当前政治时刻的各种目的,特别是通过它们对生活、形式和感觉的协调。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Geohumanities
Geohumanities GEOGRAPHY-
CiteScore
1.30
自引率
14.30%
发文量
22
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