Fantasy in the Russian-Language Segment of Literature of Kazakhstan

IF 0.1 Q3 HISTORY
T. N. Markova
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引用次数: 0

Abstract

The turn of the 20th–21st centuries is characterized by highly intensive processes of national self-identification. An important role in this process is played by fantasy as a popular genre of popular literature. The study of Kazakh fantasy is of academic interest due to its popularity with readers, the dynamic transformation of the genre structure. The article demonstrates a wide genre spectrum of Kazakh fantasy books and their authors. In the novel Resurrecting Legends Timur Yermashev turns to the heroic page in the history of the Kazakhs – the Orbulak battle of the 17th century. Ilyaz Nurgaliyev consistently works with national myths and folklore images of the Turkic peoples. Azamat Baigaliev and Kira Nurullina write about aliens. Sabyr Kairkhanov in the format of urban fantasy (the novel Synchro) raises the question of the ambiguous role of the Semipalatinsk test site in the life of the Kazakhs. An example of the combination of children’s and adventure fantasy is the novel by Zira Naurzbayeva and Lily Kalaus In Search of the Golden Bowl: The Adventures of Batu and His Friends. Particularly popular are fantasy texts with plots based on the facts of national history, those resurrecting the heroes of Kazakhstani mythology, national traditions and customs. The themes and poetics of Kazakh fantasy are in line with the processes developing in modern prose, the nature of the transformation of the genre correlates with the changing readership. Fantasy readers are mainly representatives of a certain social and age group, those attracted by the topical issues raised – the growth of national self-consciousness – combined with an exciting adventurous plot. The entertaining genre of popular literature has taken on an important ideological function – to promote and shape the national identity of the Kazakhs in a situation of geopolitical changes.
哈萨克斯坦俄语文学中的幻想
20 - 21世纪之交的特点是高度密集的民族自我认同过程。作为通俗文学的一种流行体裁,奇幻文学在这一过程中发挥了重要作用。哈萨克奇幻文学因其在读者中的流行、体裁结构的动态变化而成为学术界的研究热点。这篇文章展示了哈萨克奇幻小说及其作者的广泛类型。在小说《复活的传说》中,帖木儿·叶尔马舍夫翻开了哈萨克人历史上的英雄篇章——17世纪的奥尔布拉克战役。伊利亚兹·努尔加利耶夫一直致力于突厥民族的民族神话和民间传说形象。Azamat Baigaliev和Kira Nurullina写了关于外星人的文章。Sabyr Kairkhanov以城市幻想的形式(小说Synchro)提出了塞米巴拉金斯克试验场在哈萨克人生活中的模糊角色的问题。Zira Naurzbayeva和Lily Kalaus的小说《寻找金碗:Batu和他的朋友们的冒险》是儿童和冒险幻想结合的一个例子。特别受欢迎的是基于国家历史事实的幻想文本,这些文本复活了哈萨克斯坦神话中的英雄,民族传统和习俗。哈萨克奇幻小说的主题和诗学与现代散文的发展过程是一致的,哈萨克奇幻小说体裁转型的性质与读者群体的变化密切相关。奇幻小说的读者主要是特定社会和年龄层的代表人物,他们被小说所提出的话题——民族自我意识的增长——以及令人兴奋的冒险情节所吸引。在地缘政治变化的情况下,大众文学的娱乐体态具有重要的意识形态功能,即促进和塑造哈萨克族的民族认同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.20
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发文量
35
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