Distribución del diseño de las cabezas mascariformes en las representaciones rupestres del centro oeste argentino y del norte chico chileno: estilo, identidad y paisaje

G. Sabatini, V. Terraza
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引用次数: 1

Abstract

Rock art analysis had made of Tunduqueral site locate in Uspallata’s valley, NW of Mendoza, Argentina, during farmland-pottery early-late period (4th and 10th centuries AC). Based on the relationship between art, landscape and theoretical concepts of technological styles we expect to understand the ritual material by the comparative analysis of mask-like forms in Tunduqueral’ hill with the San Juan representations:  Los Colorados de Barreal, Quebrada de Aguas Blancas, Villa Dominguito in Sierra Pie de Palo y Quebrada La Chilca, and Small North of Chile: Valle El Encanto (Ovalle), Llano–Pabellon de San Agustin (Valle del rio Hurtado Superior) y Rio  Grande (Cuenca del rio Limari). We consider the designs recurrence of both Andes places have been showing linkers (ties community, kinship and neighbourhood) between the groups whose took up the macroregion had persisted and had recreated, but over time they had  different significations and incorporated in different politic, economic and ideological contexts. This similarity would speak about the strategy visual communication between fairways points by symbols codes community.
面具头设计在阿根廷中西部和智利chico北部岩石代表中的分布:风格、身份和景观
对阿根廷门多萨西北部乌斯帕拉塔山谷的Tunduqueral遗址进行了岩石艺术分析,该遗址位于农业-陶器早期-晚期(公元前4世纪和10世纪)。基于艺术、景观和技术风格的理论概念之间的关系,我们希望通过对Tunduqueral山的面具状形式与圣胡安代表的比较分析来理解仪式材料:Los Colorados de Barreal, Quebrada de Aguas Blancas, Sierra Pie de Palo y Quebrada La Chilca的Villa Dominguito,以及智利的小北部。Valle El Encanto (Ovalle), Llano-Pabellon de San aguustin (Valle del里约热内卢Hurtado Superior)和里约热内卢Grande (Cuenca del里约热内卢Limari)。我们认为,安第斯山脉两个地方的设计反复出现,显示了占据宏观地区的群体之间的联系(联系社区、亲属关系和邻里关系),这些群体一直存在并重新创造,但随着时间的推移,它们具有不同的意义,并融入了不同的政治、经济和意识形态背景。这种相似性说明了球道点之间通过符号编码群体进行视觉交流的策略。
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