La Compagnia del Nodo, o di Santo Spirito, e la committenza di Niccolò Orsini nella chiesa di Santa Maria Jacobi a Nola (1354-1359)

IF 0.2 0 ART
Cristiana Di Cerbo
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Abstract

In the Angevin Kingdom of Naples, in the early fourteenth century the Orsini family initiated an urban enrichment in the Campanian city of Nola, that lasted for the entire century. This renovatio urbis focused on the representation of Orsini identity and authority in a variety of settings: during the 1354-1359, Count Niccolo, in fact, promoted the decoration of the conventual female church of Santa Maria Jacobi ordinis sanctae Clarae , making use of both secular and sacred themes, inspired by the medieval bestiaries, the courtly literature (the Lay of Aristotle ), the Ovid's Metamorphoses and the st. Augustine's De Musica . The elaborate iconographic program, with its ties to the monarchical order of the Knot - or the Holy Spirit -, shows the role attributed to the nobility as champion of virtue and defensor of the Divine Order upon earth.
尼古拉斯·奥尔西尼在圣玛丽亚·雅比·诺拉教堂的承诺(1354-1359)
在那不勒斯的安茹王国,14世纪早期奥尔西尼家族在坎帕尼亚的诺拉城发起了一场城市致富运动,持续了整整一个世纪。这种城市翻新的重点是奥尔西尼的身份和权威在各种环境中的表现:在1354年至1359年期间,Niccolo伯爵实际上促进了Santa Maria Jacobi ordinis sanctae Clarae女修道院教堂的装饰,利用世俗和神圣的主题,灵感来自中世纪的动物寓言,宫廷文学(亚里士多德的Lay of Aristotle),奥维德的变形记和圣奥古斯丁的De Musica。精心设计的图像程序,与结或圣灵的君主秩序联系在一起,显示了贵族作为美德的捍卫者和地球上神圣秩序的捍卫者的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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