Mariana Marin: facerea și desfacerea unui mit. Postura tragică (I)

Q1 Arts and Humanities
Teona Farmatu
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引用次数: 1

Abstract

Following the theories about the author’s posture, my paper aims both to reconstruct the path of Mariana Marin’s mythologization and to deconstruct it by establishing two main postures: the tragic posture, congealed mainly post-mortem, and the ethical one, originating in a specific ethos, identifiable in the poet’s biographical-artistic trajectory. Having become a mythologised figure of the 1980s generation, due to the fatalistic correspondences between poems and biography or to the legitimisation of her value by comparison with poets of the same framework, but from the mainstream of world literature (Sylvia Plath, Anne Sexton, Else Lasker-Schüler), Madi – the famous nickname – tends to penetrate abusively, sometimes unjustifiably, into the reception of Mariana Marin’s texts, hence the empirical persona which becomes strongly than the poetic work.
玛丽安娜·马林:制造和解开一个神话。悲剧姿态(一)
根据作者姿态的理论,本文旨在重构玛丽安娜·马林神话化的路径,并通过建立两种主要姿态来解构它:主要是死后凝固的悲剧姿态和源于诗人传记艺术轨迹中特定精神的伦理姿态。由于诗歌和传记之间宿命的对应关系,或者由于与相同框架的诗人相比,她的价值被合法化,但从世界文学的主流(西尔维娅·普拉斯,安妮·塞克斯顿,埃尔斯·拉斯克-施勒),马迪——这个著名的名字——倾向于滥用,有时是不合理的,渗透到对玛丽安娜·马林文本的接受中。因此,经验主义人格变得比诗歌作品更强烈。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
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