Postumanul ca world literature. Cazul SF-ului românesc interbelic

Q1 Arts and Humanities
Emanuel Lupașcu
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引用次数: 0

Abstract

This study deals with three science fiction novels published in the Romanian interwar period, using concepts and theories from the field of posthumanism. My approach will consist of three interconnected but equally important steps. In the first place, these novels are part of a larger cluster of 20th-century art that thematizes technological development and the ‘crisis’ of modern man. Their importance also arises from the need to expand our understanding of world literature beyond the phenomenon of translation and the national canon. In addition, I will examine how posthuman configurations activate different reactions to the dominant ideologies of the age (modern machinism, feminism, species expansion, etc.). A second step will entail reconstructing the scientific, ideological, social and artistic contexts that made the articulation of the three novels. Last but not least, in the background of my study, I will lead a demonstration of the incompatibility between posthumanist ideology and the interwar science fiction novel, which rather features a posthuman imaginary without posthumanism. This result invalidates Simona Micali’s thesis that considers any SF product as a critique of anthropocentrism.
作为世界文学的后人类。两次大战之间罗马尼亚SF的案例
本文运用后人文主义的概念和理论,分析了罗马尼亚在两次世界大战之间出版的三部科幻小说。我的方法将包括三个相互关联但同样重要的步骤。首先,这些小说是20世纪更大的艺术群体的一部分,这些艺术群体以科技发展和现代人的“危机”为主题。它们的重要性还在于,我们需要扩大对世界文学的理解,超越翻译现象和国家经典。此外,我将研究后人类形态如何激发对时代主导意识形态(现代机械、女权主义、物种扩张等)的不同反应。第二步将需要重建构成这三部小说的科学、意识形态、社会和艺术背景。最后但并非最不重要的是,在我的研究背景下,我将领导一个论证后人类主义意识形态与两次世界大战之间的科幻小说之间的不相容,后者更倾向于一个没有后人类主义的后人类想象。这一结果推翻了西蒙娜·米卡利认为任何SF产品都是对人类中心主义的批判的论点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
自引率
0.00%
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0
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