{"title":"Voicing Over: Power, Speech, and Performance in The Birthday Party, One for the Road, New World Order, and The Comfort of Strangers","authors":"Roof","doi":"10.5325/haropintrevi.3.1.0058","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Harold Pinter Review-Essays on Contemporary Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/haropintrevi.3.1.0058","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}