{"title":"Abundance, Excess, Waste","authors":"R. Luca","doi":"10.5130/PORTAL.V13I1.4793","DOIUrl":null,"url":null,"abstract":"Rox De Luca is a visual artist based in Sydney, Australia. Her recent work focuses on the concepts of abundance, excess and waste. These concerns translate directly into vibrant and colourful garlands that she constructs from discarded plastics collected on Bondi Beach where she lives. The process of collecting is fastidious, as is the process of sorting and grading the plastics by colour and size. This initial gathering and sorting process is followed by threading the components onto strings of wire. When completed, these assemblages stand in stark contrast to the ease of disposability associated with the materials that arrive on the shoreline as evidence of our collective human neglect and destruction of the environment around us. The contrast is heightened by the fact that the constructed garlands embody the paradoxical beauty of our plastic waste byproducts, while also evoking the ways by which those byproducts similarly accumulate in randomly assorted patterns across the oceans and beaches of the planet.","PeriodicalId":35198,"journal":{"name":"PORTAL: Journal of Multidisciplinary International Studies","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2016-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5130/PORTAL.V13I1.4793","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PORTAL: Journal of Multidisciplinary International Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5130/PORTAL.V13I1.4793","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
Rox De Luca is a visual artist based in Sydney, Australia. Her recent work focuses on the concepts of abundance, excess and waste. These concerns translate directly into vibrant and colourful garlands that she constructs from discarded plastics collected on Bondi Beach where she lives. The process of collecting is fastidious, as is the process of sorting and grading the plastics by colour and size. This initial gathering and sorting process is followed by threading the components onto strings of wire. When completed, these assemblages stand in stark contrast to the ease of disposability associated with the materials that arrive on the shoreline as evidence of our collective human neglect and destruction of the environment around us. The contrast is heightened by the fact that the constructed garlands embody the paradoxical beauty of our plastic waste byproducts, while also evoking the ways by which those byproducts similarly accumulate in randomly assorted patterns across the oceans and beaches of the planet.
Rox De Luca是澳大利亚悉尼的一位视觉艺术家。她最近的工作集中在富足、过剩和浪费的概念上。这些关注直接转化为充满活力和色彩的花环,她用从她居住的邦迪海滩收集的废弃塑料制作花环。收集的过程是非常严格的,就像根据颜色和大小对塑料进行分类和分级一样。这个最初的收集和排序过程之后是将组件穿到电线串上。完成后,这些组合物与到达海岸线的材料的易处置性形成鲜明对比,这些材料是我们人类集体忽视和破坏周围环境的证据。这种对比被这样一个事实所加强,即建造的花环体现了我们的塑料废物副产品的矛盾之美,同时也唤起了这些副产品在地球上的海洋和海滩上以随机组合的模式堆积的方式。
期刊介绍:
PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.