House carving decoration as a field of interaction between the folk art and the art of Grand styles

Q4 Social Sciences
L. V. Chuyko
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引用次数: 0

Abstract

The article is dedicated to the interaction between professional art and folk art in the city culture of the second half of the XIX – the beginning of the XX century. Choosing as an example the wooden houses preserved in West Siberian cities (Tyumen, Tobolsk, Tara, Tomsk, Barnaul, Omsk, Kurgan, Novosibirsk) the author examines the use of decorative stylistic features of stone buildings in wooden architecture constructed as part of mass city development. It is accentuated that master craftsmen often turned for inspiration to Baroque, Art Nouveau and Russian Ropet-Gartman styles, transforming their decorative motives and creating carved compositions marked by originality and high quality of workmanship.
房屋雕刻装饰作为民间艺术与大风格艺术互动的一个领域
本文致力于十九世纪下半叶——二十世纪初的城市文化中专业艺术与民间艺术的互动。作者以西伯利亚西部城市(秋明、托博尔斯克、塔拉、托木斯克、巴尔瑙尔、鄂木斯克、库尔干、新西伯利亚)保存的木结构房屋为例,研究了作为大规模城市发展的一部分,木结构建筑中石材建筑装饰风格特征的使用。强调的是,工匠大师经常从巴洛克风格,新艺术风格和俄罗斯Ropet-Gartman风格中寻找灵感,改变他们的装饰动机,创造出具有独创性和高质量工艺的雕刻作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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