Engraver Ivan Pozhalostin (1837–1909) as a portrait master

Q4 Social Sciences
Nina V. Pavlova
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引用次数: 0

Abstract

The article is devoted to the portrait artwork of the engraver on copper I.P. Pozhalostin. It focuses on his works of the 1860–1880s, created first under the protection of the Academy of Arts, then for the Society for the Encouragement of Artists, publishers of books and magazines, and collectors. This is a whole gallery of Russian faces, from the poet Nikolay Nekrasov to Empress Maria Feodorovna. Along with an overview of the artistic features of the realistic engraved portraits by Ivan Pozhalostin, much attention in the article is paid to the cultural and everyday context – relations with customers, conditions and terms of his work. A wide range of archival material has been involved, for instance, the engraver’s correspondence with collectors P.A. Efremov and S.P. Vinogradov.
雕刻家Ivan Pozhalostin(1837-1909)作为肖像大师
这篇文章是专门介绍铜质I.P. Pozhalostin雕刻师的肖像艺术作品。它集中于他1860 - 1880年代的作品,这些作品最初是在艺术学院的保护下创作的,然后是为艺术家鼓励协会,书籍和杂志出版商以及收藏家创作的。这是一个完整的俄罗斯面孔画廊,从诗人尼古拉·涅克拉索夫到皇后玛丽亚·费奥多罗夫娜。在概述Ivan Pozhalostin的现实主义雕刻肖像的艺术特征的同时,文章还将重点放在文化和日常背景上-与客户的关系,他的工作条件和条款。涉及的档案材料范围很广,例如,这位雕刻师与收藏家P.A. Efremov和S.P. Vinogradov的通信。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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