Icons of Ivan Ivanovich Belsky for the Nativity Church on Peski in St Petersburg. Not earlier 1789 – not later 1792

Q4 Social Sciences
S. V. Moiseeva
{"title":"Icons of Ivan Ivanovich Belsky for the Nativity Church on Peski in St Petersburg. Not earlier 1789 – not later 1792","authors":"S. V. Moiseeva","doi":"10.37953/2079-0341-2022-2-1-152-163","DOIUrl":null,"url":null,"abstract":"In February – March 2020 in the Russian Museum an exhibition was opened, called “The Belsky Artists”, dedicated to the 300th anniversary of Ivan Ivanovich Belsky (January 6, 1719 – January 13, 1799) and the 290th anniversary of his younger brothers – Alexey Ivanovich (1729 – May 21, 1796) and Efim Ivanovich (1730 – November 28, 1778) Belsky. The exhibition was one of the first attempts to deal with the works of almost forgotten artists of the 18th century. The exhibition for the first time presented images executed by Ivan Belsky for the Church of the Nativity of Christ on Peski (on Sands) in St Petersburg. Preparing for the event, the researchers discovered that allowed to recreate the history of all three iconostases of the Nativity Church, to prove the authorship of Ivan Belsky in creating the iconostasis of the Nativity of the Virgin and the Nativity (Rozhdestvensky) main iconostasis, as well as to reveal the history of the existence of images after the reconstruction of the Church of the Nativity in the middle of the 19th century. Almost all of Ivan Belsky’s oeuvres from the collection of the Russian Museum were fully restored by the leading specialist Natalia Romanova, which undoubtedly helped to develop a more precise understanding of the painter’s artistic manner.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academia (Greece)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37953/2079-0341-2022-2-1-152-163","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0

Abstract

In February – March 2020 in the Russian Museum an exhibition was opened, called “The Belsky Artists”, dedicated to the 300th anniversary of Ivan Ivanovich Belsky (January 6, 1719 – January 13, 1799) and the 290th anniversary of his younger brothers – Alexey Ivanovich (1729 – May 21, 1796) and Efim Ivanovich (1730 – November 28, 1778) Belsky. The exhibition was one of the first attempts to deal with the works of almost forgotten artists of the 18th century. The exhibition for the first time presented images executed by Ivan Belsky for the Church of the Nativity of Christ on Peski (on Sands) in St Petersburg. Preparing for the event, the researchers discovered that allowed to recreate the history of all three iconostases of the Nativity Church, to prove the authorship of Ivan Belsky in creating the iconostasis of the Nativity of the Virgin and the Nativity (Rozhdestvensky) main iconostasis, as well as to reveal the history of the existence of images after the reconstruction of the Church of the Nativity in the middle of the 19th century. Almost all of Ivan Belsky’s oeuvres from the collection of the Russian Museum were fully restored by the leading specialist Natalia Romanova, which undoubtedly helped to develop a more precise understanding of the painter’s artistic manner.
圣彼得堡佩斯基圣诞教堂的伊万·伊万诺维奇·贝尔斯基肖像。不是1789年初,也不是1792年末
2020年2月至3月,在俄罗斯博物馆举办了一个名为“贝尔斯基艺术家”的展览,专门纪念伊万·伊万诺维奇·贝尔斯基(1719年1月6日至1799年1月13日)300周年,以及他的弟弟阿列克谢·伊万诺维奇(1729年至1796年5月21日)和埃菲姆·伊万诺维奇(1730年至1778年11月28日)贝尔斯基290周年。这次展览是第一次尝试处理几乎被遗忘的18世纪艺术家的作品。这次展览首次展示了Ivan Belsky为圣彼得堡Peski上的基督诞生教堂(Church of The Nativity of Christ)拍摄的图像。为了准备这次活动,研究人员发现,可以重建所有三个耶稣诞生教堂圣像的历史,以证明伊万·贝尔斯基(Ivan Belsky)创作圣母诞生圣像和耶稣诞生(Rozhdestvensky)主圣像的作者身份,以及揭示19世纪中期耶稣诞生教堂重建后图像存在的历史。俄罗斯博物馆收藏的几乎所有伊万·贝尔斯基的作品都由著名专家娜塔莉亚·罗曼诺娃(Natalia Romanova)进行了全面修复,这无疑有助于更准确地了解这位画家的艺术风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信