On the Role of the Theatrical Agent in Operatic Circuits at the Turn of the Twentieth Century: The Case of the Eastern Adriatic Coast

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2021-09-06 DOI:10.3986/dmd17.2.02

Cristina Scuderi

引用次数: 0

Abstract

The article examines the role of the theatrical agent in the operatic circuits of the late nineteenth and early twentieth centuries on the eastern Adriatic coast in the light of his relations with theatre management, impresarios and fellow agents. There were many different types of theatrical agent involved in managing operatic seasons, and they had different working practices.

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论二十世纪之交戏剧代理人在歌剧巡回演出中的作用:以亚得里亚海东岸为例

本文考察了戏剧经纪人在19世纪末和20世纪初亚得里亚海东部海岸的歌剧巡回演出中的作用，根据他与剧院管理，经理和同行经纪人的关系。有许多不同类型的戏剧经纪人参与管理歌剧季，他们有不同的工作方法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.