The “Theory” of the Marchese in Aaron's Rod, XVII, a Proof of Lawrence's Misogyny?

Abstract

The brief chapter XVII of Aaron's Rod contains some of the speculative reflections that serve as a basis for the great final discussion of chapter XXI, which describes and legitimizes a singular mode of domination ("the deep, fathomless submission to the heroic soul in a greater man”). To begin, we shall briefly recall the context of the discussion: Aaron, Lilly and Argyle are on a terrace overlooking the city of Florence, presented as a model of human historical, spiritual and sensual achiev...