From Pants to Pearls: Rodgers and Hammerstein’s Affect on Post WWII Women

Discover Pub Date : 2016-01-01 DOI:10.31922/DISC3.2
A. Dees
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Abstract

American theatre world. These musicals contained plots which focused on patriotism and primarily featured male leads. In Strike up the Band, the two male mangers of a cheese factory wage war against Switzerland ("Strike up the band," 2013). In This is the Army, an all-male cast sang about the trials which come with being in the Armed Forces (Kenrick, 1996). Theatre producers' primarily focused on the war raging in Europe and Japan. While actors sang about the harsh reality of war, men were actually living it. Following the attacks on Pearl Harbor, countless men left home to fight for American freedoms overseas while women became the power which fueled the American home front. From Rosie the Riveter to articles which talked about different ways to wear your hair at work, the nation attempted to bring glamour to the women who traded their home life for a job in a factory. The Sperry Company even created a Miss Victory pageant where "women were encouraged to wear slacks and keep their hair hidden for safety" (Patnode, 2012). These pageants gave working class women a chance to model their work clothes all in hopes to support the company's campaign which "focused on safety practices that eliminated traditional markers of femininity such as long hair and skirts" (Patnode, 2012). This support for women in the work force radically differed from the decade before. During the 1930's, many women felt the harsh judgement from those around them for taking jobs to help support their family. Due to the "high unemployment during the Depression, most people were against women working because they saw it as women taking jobs from the unemployed me" ("Women At Work", n.d.) In 1945, Europe and Japan fell to the Allied Powers and World War II was officially over. The brave American troops who fought the war started to return home. The men who bravely defeated the Axis Powers dramatically changed the work force. Due to the increase in male workers, many women became unemployed or were demoted to jobs receiving less pay. Thousands of women who had broken away from the chains of the house were forced to return to domestic life. During this time of demotion for these riveters of war, composer Richard Rodgers and lyricist Oscar Hammerstein decided to form a partnership. They both wanted to create the next 'big thing' and as John Nolan (2002) stated, "something unmistakably …
从裤子到珍珠:罗杰斯和汉默斯坦对二战后女性的影响
美国戏剧界。这些音乐剧的情节集中于爱国主义,主要由男性主演。在《Strike up the Band》中,一家奶酪厂的两名男性经理对瑞士发动了战争(《Strike up the Band》,2013)。在《这就是军队》中,一个全是男性的演员唱了关于在武装部队中的审判(Kenrick, 1996)。戏剧制作人主要关注在欧洲和日本肆虐的战争。当演员们歌唱战争的残酷现实时,男人们却在亲身经历。珍珠港事件发生后,无数男人离开家乡到海外为美国的自由而战,而女性则成为推动美国大后方的力量。从《铆工罗西》(Rosie the Riveter)到讨论工作时不同发型的文章,这个国家试图给那些放弃家庭生活、到工厂工作的女性带来魅力。斯佩里公司甚至举办了一场“胜利小姐”选美比赛,“鼓励女性穿宽松裤,为了安全把头发藏起来”(Patnode, 2012)。这些选美比赛给了工人阶级女性一个展示自己工作服的机会,所有这些都是为了支持该公司的活动,该活动“专注于消除长发和裙子等传统女性特征的安全措施”(Patnode, 2012)。这种对劳动力中女性的支持与十年前截然不同。在20世纪30年代,许多妇女感到来自周围人的严厉评判,因为她们为了养家而工作。由于“大萧条时期的高失业率,大多数人都反对女性工作,因为他们认为这是女性从失业的人那里抢工作”(“工作中的女性”,无日期)。1945年,欧洲和日本沦陷,第二次世界大战正式结束。参加过这场战争的勇敢的美国军队开始返回家园。由于男性工人的增加,许多妇女失业或被降级到工资较低的工作。成千上万从家庭枷锁中挣脱出来的妇女被迫回到家庭生活。在这段时间里,这些战争的铆工被降级,作曲家理查德·罗杰斯和词作者奥斯卡·汉默斯坦决定组成一个伙伴关系。他们都想创造下一个“大事件”,正如约翰·诺兰(2002)所说的那样,“毫无疑问……
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