“Old Irish Saga”: In Search of a Definition

Q2 Arts and Humanities
T. Mikhailova
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引用次数: 0

Abstract

Using the term saga in Russian and European criticism is studied. The term denotes Old Irish epic tales. The relation between oral and written narrative traditions is described. Under investigation is the semantic content of the Russian term with the following: 1. the English (saga) and the German (die Sage) scholarly texts describing the same denotates 2. the Icelandic notion saga having a much wider semantic field in the original tradition (though not in mediaeval studies) 3. the semantic field of the original term scél having tale or story as one of its meanings. The work also states the recursive semantic shift tale, story → an event worthy of making a tale of, a piece of news. The shift is also evident in the semantic evolution of the Russian term istoriya. The conclusion points out the relativity of the frame of the term saga as a mediaeval literature’s genre and the necessity to appeal to a scholar’s intuition.
“老爱尔兰传奇”:寻找定义
研究了俄语和欧洲文学批评中“传奇”一词的使用。这个词指的是古爱尔兰史诗故事。描述了口头和书面叙述传统之间的关系。正在调查的是俄语术语的语义内容:1。英语(saga)和德语(die Sage)的学术文献描述了相同的含义。冰岛的概念传奇在原始传统中具有更广泛的语义领域(尽管不是在中世纪的研究中)。以故事或故事为其含义之一的原术语的语义场。该作品还陈述了递归语义转换故事,故事→值得制作故事的事件,一条新闻。这种转变在俄语单词“istoriya”的语义演变中也很明显。结语部分指出了传奇作为中世纪文学体裁的框架的相对性,以及诉诸学者直觉的必要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kritika i Semiotika
Kritika i Semiotika Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
15
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