{"title":"Marina Tsvetaeva and Anatoly Steiger: A Novel in Letters (Reconstruction Attempt)","authors":"E. Proskurina, P. V. Proskurina-Yanovich","doi":"10.25205/2307-1737-2021-1-298-315","DOIUrl":null,"url":null,"abstract":"The article proposes a reconstruction of M. Tsvetaeva’s epistolary novel with the young emigrant A. Steiger. The dynamics of their relationship is traced, where there is a tie, movement to the culmination and completion: a break. The characteristic features of Tsvetaeva’s letters are shown: nervous style, expression. The differences of this novel in letters from the epistolary “triangle” of Tsvetaevа – Rilke – Pasternak are revealed. If the dialogue between them is the relationship of equal poets, then in relation to Steiger Tsvetaeva appears as a protective mother. A specific set of Tsvetaevа’s motives is revealed, where the main thing is love for the inaccessible, unrealizable. In general, the correspondence with Shteiger reinforces a virtual plot common for Tsvetaeva’s letters. In it, the main role is assigned to her lyrical perception of another – his “re-creation” for himself, ascension to the romantic ideal and rejection of the original person, leading to disappointment and rupture.","PeriodicalId":36800,"journal":{"name":"Kritika i Semiotika","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kritika i Semiotika","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25205/2307-1737-2021-1-298-315","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The article proposes a reconstruction of M. Tsvetaeva’s epistolary novel with the young emigrant A. Steiger. The dynamics of their relationship is traced, where there is a tie, movement to the culmination and completion: a break. The characteristic features of Tsvetaeva’s letters are shown: nervous style, expression. The differences of this novel in letters from the epistolary “triangle” of Tsvetaevа – Rilke – Pasternak are revealed. If the dialogue between them is the relationship of equal poets, then in relation to Steiger Tsvetaeva appears as a protective mother. A specific set of Tsvetaevа’s motives is revealed, where the main thing is love for the inaccessible, unrealizable. In general, the correspondence with Shteiger reinforces a virtual plot common for Tsvetaeva’s letters. In it, the main role is assigned to her lyrical perception of another – his “re-creation” for himself, ascension to the romantic ideal and rejection of the original person, leading to disappointment and rupture.