Television documentaries as spearheads in public service television: Comparing scheduling practices on the linear channels and video-on-demand services of Danish TV 2 and DR

IF 2 Q2 COMMUNICATION
Hanne Bruun, Benedicte Krogh Bille
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引用次数: 3

Abstract

Abstract This article presents findings from a study of how the public service television (PSTV) companies DR and TV 2 in Denmark are changing their scheduling practices to address the competition from transnational streaming services. We focus on a comparative analysis of how television documentaries are scheduled and argue that the documentary genre is part of an editorial prioritisation of productions with high degrees of linguistic and national proximity targeting a mainstream audience. Furthermore, we argue that new scheduling practices support a merger of linear and non-linear modes of watching television indicative of a transformation in which the video-on-demand (VoD) services are the new entry points to PSTV. This transformation might be a vital part of how Nordic PSTV companies adapt to the changes in the television industry and to new viewing habits.
电视纪录片作为公共服务电视的先锋:比较丹麦TV 2和DR的线性频道和视频点播服务的调度实践
本文介绍了一项关于丹麦公共服务电视(PSTV)公司DR和TV 2如何改变其调度实践以应对跨国流媒体服务竞争的研究结果。我们专注于对电视纪录片如何安排的比较分析,并认为纪录片类型是针对主流观众的高度语言和国家接近性制作的编辑优先级的一部分。此外,我们认为新的调度实践支持线性和非线性观看电视模式的合并,这表明视频点播(VoD)服务是PSTV的新切入点。这种转变可能是北欧PSTV公司如何适应电视行业变化和新的观看习惯的重要组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Nordicom Review
Nordicom Review COMMUNICATION-
CiteScore
2.80
自引率
9.10%
发文量
10
审稿时长
52 weeks
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