"Dream of a Shade": Refractions of Epic Vision in Pindar's "Pythian 8" and Aeschylus' "Seven against Thebes"

G. Nagy
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引用次数: 21

Abstract

T HIS essay explores the idea of epic in relative rather than absolute terms, with specific reference to the image of a "dream of a shade" in Pindar's Pythian 8 and Aeschylus' Seven against Thebes.' In both form and content, these two poetic creations contain features that may be described as epic in nature. The main argument of this essay is that such features, as refracted separately in the two distinct genres of tragedy and victory ode or "epinician," are in fact complementary in revealing a unified picture of epic as a genre in its own right.2 The problem is, we cannot even begin to piece together such a picture without a clarification of the idea of epic as a genre. So I offer this premise: that the genre of epic, as well as any other genre, cannot be defined absolutely, as if it belonged to Plato's world of Forms (in the usage of Plato, the very idea of "Form" is expressed by the same word that means "genre": eidos).3 Rather, genre needs to be defined both
“暗影之梦”:品达《皮提安八》与埃斯库罗斯《七反底比斯》史诗视觉的折射
本文以品达的《皮提安八》和埃斯库罗斯的《七人攻打底比斯》中的“阴影之梦”为例,从相对而非绝对的角度探讨了史诗的概念。从形式和内容上看,这两篇诗作都具有史诗性质的特征。这篇文章的主要论点是,这些特征,在悲剧和胜利颂歌这两种截然不同的体裁中分别折射出来,实际上是互补的,揭示了史诗作为一种体裁的统一图景问题是,如果不澄清史诗作为一种体裁的概念,我们甚至无法开始拼凑这样一幅图景。因此,我提出这样一个前提:史诗的体裁,以及任何其他体裁,不能被绝对地定义,就好像它属于柏拉图的形式世界一样(在柏拉图的用法中,“形式”这个概念是用与“体裁”相同的词来表达的:eidos)相反,类型需要同时被定义
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