Ciencia, lenguaje y arte en la obra de Friedrich Nietzsche

Grafia Pub Date : 2011-01-01 DOI:10.26564/16926250.326
Milton Fernando Dionicio Lozano
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Abstract

Resumen: En este articulo se analizan los elementos fundamentales de las concepciones de ciencia, arte  y lenguaje de Friedrich Nietzsche. El examen de estos tres conceptos se centra en su etapa juvenil - 1869 - 1874 - y en sus teorias fundamentales del periodo de madurez, tales como el perspectivismo y la voluntad de poder. Uno de los propositos sistematicos del ensayo es la consideracion critica de la tesis de Martin Heidegger, segun la cual Nietzsche no supera la tradicion  metafisica de Occidente. Palabras clave:  Nietzsche, ciencia, arte, lenguaje, Heidegger Abstract: The basic elements in the conceptions of science, art and language in the works of Friedrich  Nietzsche are analyzed. The study of these three concepts centers around his juvenile period,  1869-1874, and his fundamental theories in his mature period, such as perspectivism and will of  power. One of the essay systematic purposes is the critical consideration of Heidegger’s thesis according to which Nietzsche would not surpass the Western metaphysical tradition. Key words: Nietzsche, science, art, language, Heidegger
弗里德里希·尼采作品中的科学、语言和艺术
摘要:本研究的目的是分析西班牙语作为一种教学语言的使用,以及西班牙语作为一种教学语言的使用。对这三个概念的考察集中在他的青年时期(1869 - 1874年)和他成熟时期的基本理论,如透视主义和权力意志。这篇文章的系统目的之一是批判性地考虑海德格尔的论点,根据这一论点,尼采并没有超越西方的形而上学传统。摘要:分析了尼采作品中科学、艺术和语言概念的基本要素。The study of这些三概念centers是各地的青少年,1869-1874,以及他将其不同基本成熟,如perspectivism and will of power。One of the essay systematic目的is the critical审议《海德格尔thesis to which尼采surpass不the Western metaphysical tradition。关键词:科学、艺术、语言、海德格尔
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