{"title":"Ianua Coeli: Monumental Romanesque doorways on the Iberian Peninsula","authors":"Francesca Español","doi":"10.2436/chr.v0i4.54353","DOIUrl":null,"url":null,"abstract":"Studying monumental Romanesque doorways was the theme of the international congress organised by the Amics de l’Art Romànic (Friends of Romanesque Art), an affiliate of the Institut d’Estudis Catalans. The congress was held last November in Barcelona at the IEC headquarters and in Ripoll, which hosted the closing event and where the participants were treated to the superb facade of the monastery. For the first time in Spain, the scientific gathering aimed to study the large doorways that emerged in the Christian territories in the west and east of the Iberian Peninsula in the 12th century and the early years of the 13th century. The Romanesque visually translated the symbolic value that Christianity attributed to its buildings of worship and certain sectors and elements that represent them, one of which is the entrance doorway. Repeatedly glossed in texts as the doorway to heaven, Ianua Coeli, the iconographic programmes and liturgical uses linked to this threshold between the sacred and profane underscore this dimension. The congress wanted to examine this issue from different, mutually complementary vantage points: by analysing the iconographic programmes derived from the Romanesque doorway and the intentions of its promoters, the style of its sculpture and the connections derived from it, the uniqueness of the typology adopted and the liturgical functions it accommodated. The goal was for the expert debate to shed light on all of these issues, addressed generally for the first time at this congress, and at the same time open up the session to university students and amateurs. The congress was a huge success. It attracted around 100 people including speakers and participants, including students from a number of universities in Spain, Germany, England, France and Italy. The sessions were officially opened by Salvador Giner, President of the IEC, Daniel Solé, Deputy General Director of the Generalitat de Catalunya’s department of Cultural Heritage, and Francesca Español, President of Amics de l’Art Romànic and scientific director of the congress. Prestigious Hispanists were on hand for the lectures. Dr Peter Klein, Professor at the Universität Tübingen,","PeriodicalId":38516,"journal":{"name":"Catalan Historical Review","volume":"1 1","pages":"145-147"},"PeriodicalIF":0.0000,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catalan Historical Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2436/chr.v0i4.54353","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Studying monumental Romanesque doorways was the theme of the international congress organised by the Amics de l’Art Romànic (Friends of Romanesque Art), an affiliate of the Institut d’Estudis Catalans. The congress was held last November in Barcelona at the IEC headquarters and in Ripoll, which hosted the closing event and where the participants were treated to the superb facade of the monastery. For the first time in Spain, the scientific gathering aimed to study the large doorways that emerged in the Christian territories in the west and east of the Iberian Peninsula in the 12th century and the early years of the 13th century. The Romanesque visually translated the symbolic value that Christianity attributed to its buildings of worship and certain sectors and elements that represent them, one of which is the entrance doorway. Repeatedly glossed in texts as the doorway to heaven, Ianua Coeli, the iconographic programmes and liturgical uses linked to this threshold between the sacred and profane underscore this dimension. The congress wanted to examine this issue from different, mutually complementary vantage points: by analysing the iconographic programmes derived from the Romanesque doorway and the intentions of its promoters, the style of its sculpture and the connections derived from it, the uniqueness of the typology adopted and the liturgical functions it accommodated. The goal was for the expert debate to shed light on all of these issues, addressed generally for the first time at this congress, and at the same time open up the session to university students and amateurs. The congress was a huge success. It attracted around 100 people including speakers and participants, including students from a number of universities in Spain, Germany, England, France and Italy. The sessions were officially opened by Salvador Giner, President of the IEC, Daniel Solé, Deputy General Director of the Generalitat de Catalunya’s department of Cultural Heritage, and Francesca Español, President of Amics de l’Art Romànic and scientific director of the congress. Prestigious Hispanists were on hand for the lectures. Dr Peter Klein, Professor at the Universität Tübingen,
研究纪念性的罗马式门道是Amics de l 'Art Romànic(罗马式艺术之友)组织的国际大会的主题,该组织是Institut d ' eststudis Catalans的附属机构。大会于去年11月在巴塞罗那独立选举委员会总部和里波尔举行,里波尔主办了闭幕活动,与会者在那里参观了修道院的华丽门面。在西班牙,这次科学聚会首次旨在研究12世纪和13世纪初伊比利亚半岛西部和东部基督教领土上出现的大型门道。罗马式建筑在视觉上诠释了基督教赋予其礼拜建筑和代表它们的某些部分和元素的象征价值,其中之一就是入口。在文本中反复被修饰为天堂之门,Ianua Coeli,图像程序和与神圣和世俗之间的门槛相关的礼仪用途强调了这一维度。大会希望从不同的、相互补充的优势角度来研究这个问题:通过分析源自罗马式门廊的图像程序及其发起人的意图,雕塑的风格和由此产生的联系,所采用的类型学的独特性和它所容纳的礼仪功能。会议的目标是通过专家辩论来阐明所有这些问题,这些问题在本届大会上首次被广泛讨论,同时向大学生和业余爱好者开放会议。大会取得了巨大的成功。它吸引了包括演讲者和参与者在内的约100人,其中包括来自西班牙、德国、英国、法国和意大利多所大学的学生。会议由IEC主席Salvador Giner、加泰罗尼亚政府文化遗产部副主任Daniel sol和Amics de l 'Art Romànic主席兼大会科学主任Francesca Español正式开幕。著名的西班牙语学者都在现场听讲座。彼得·克莱因博士,Universität 宾根大学教授,