{"title":"An early fifth century athenian revolution in aulos music","authors":"R. Wallace","doi":"10.2307/3658525","DOIUrl":null,"url":null,"abstract":"1 Thanks to Peter Wilson, Timothy Moore, HSCP's editor, and its excellent readers for comments on this text. Rich in ideas and also bibliography, Peter Wilson's essay \"The aulos in Athens,\" in The Performance Culture of Athenian Democracy, ed. S. Goldhill and R. Osborne (Cambridge 1999) 58-95, is in many respects complementary to the present discussion. I am grateful to its author for sending me an advance copy. 2 Is this Phrynichus the comic poet? So, e.g., B. F. Grenfell and A. S. Hunt, The Oxyrhynchus Papyri XIII (London 1919) 146, and K. J. Dover, Aristophanes Clouds (Oxford 1968) 215 ad loc. 3 D. Holwerda, \"De novo Chamaeleontis studiorum testimonio,\" Mnemosyne iv 5 (1952) 230 n. 2 (the Peripatetic Chamaeleon knew of a different tradition about this poem: see next note) and Prolegomena de comoedia scholia in Acharnenses, Equites, Nubes, Fasc. 3. 1 (Groningen 1977) 185 ad loc.; W. J. W. Koster, \"Ecce iterum Chamaeleon,\" Mnemosyne iv 6 (1953) 63; Page PMG no. 735. On the tendency of ancient biographical traditions to confuse fathers and teachers (including our example of Lamprocles' Midon), see L. Lehnus, \"Scopelino 'padre' di Pindaro,\" Rend. Ist. Lomb. 111 (1977) 78-82. Nothing else is known about Midon.","PeriodicalId":81378,"journal":{"name":"Harvard studies in classical philology","volume":"101 1","pages":"73-92"},"PeriodicalIF":0.0000,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3658525","citationCount":"40","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Harvard studies in classical philology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/3658525","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 40
Abstract
1 Thanks to Peter Wilson, Timothy Moore, HSCP's editor, and its excellent readers for comments on this text. Rich in ideas and also bibliography, Peter Wilson's essay "The aulos in Athens," in The Performance Culture of Athenian Democracy, ed. S. Goldhill and R. Osborne (Cambridge 1999) 58-95, is in many respects complementary to the present discussion. I am grateful to its author for sending me an advance copy. 2 Is this Phrynichus the comic poet? So, e.g., B. F. Grenfell and A. S. Hunt, The Oxyrhynchus Papyri XIII (London 1919) 146, and K. J. Dover, Aristophanes Clouds (Oxford 1968) 215 ad loc. 3 D. Holwerda, "De novo Chamaeleontis studiorum testimonio," Mnemosyne iv 5 (1952) 230 n. 2 (the Peripatetic Chamaeleon knew of a different tradition about this poem: see next note) and Prolegomena de comoedia scholia in Acharnenses, Equites, Nubes, Fasc. 3. 1 (Groningen 1977) 185 ad loc.; W. J. W. Koster, "Ecce iterum Chamaeleon," Mnemosyne iv 6 (1953) 63; Page PMG no. 735. On the tendency of ancient biographical traditions to confuse fathers and teachers (including our example of Lamprocles' Midon), see L. Lehnus, "Scopelino 'padre' di Pindaro," Rend. Ist. Lomb. 111 (1977) 78-82. Nothing else is known about Midon.
1感谢Peter Wilson、HSCP编辑Timothy Moore及其优秀读者对本文的评论。彼得·威尔逊(Peter Wilson)的文章《雅典的奥洛斯》(The aulos in Athens)载于《雅典民主的行为文化》(The Performance Culture of Athenian Democracy),s.Goldhill和R.Osborne(Cambridge 1999)58-95版,内容丰富,参考书目丰富,在许多方面与本讨论相辅相成。我感谢它的作者给我寄来了一份预印本。2这是Phrynichus的漫画诗人吗?因此,例如,B.F.Grenfell和A.S.Hunt,Oxyrhynchus Papyri XIII(伦敦1919)146,以及K.J.Dover,Aristophanes Clouds(牛津1968)215。3 D.Holwerda,“De novo Chamaelentis studiorum testimonio”,Mnemosyne iv 5(1952)230 n.2(流浪的Chamaelen知道这首诗的不同传统:见下一个注释)和Acharnenses、Equites、Nubes、Fasc的Prolegomena De comedia scholia。3.1(Groningen 1977),地址:185。;W.J.W.Koster,“Ecce iterum Chamaeleon”,Mnemosyne iv 6(1953)63;第735页PMG。关于古代传记传统混淆父亲和老师的倾向(包括我们的Lamprocles的Midon),见L.Lehnus,“Scopelino‘padre’di Pindaro,”Rend。Ist。Lomb。111(1977)78-82。关于米顿,我们一无所知。