Piero della Francesca and Narrative Encapsulation: E.g. The Cock on the Column

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2004-01-01 DOI:10.2307/1483744

M. Lavin

引用次数: 0

Abstract

Piero della Francesca expanded the evolution of continuous narrative in the fifteenth century in his cycle of the True Cross at Arezzo by adding what is called here "narrative encapsulation." This technique involves the layering of several versions of the same story within a unified composition to enrich the fabric of meaning. Three examples from his cycle are elucidated here, to show how, in their expanded form, they enhance the overall significance of the narrative.

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皮耶罗·德拉·弗朗西斯卡与叙事的封装:如《柱上的公鸡》

皮耶罗·德拉·弗朗西斯卡扩展了15世纪连续叙事的演变在他的阿雷佐真十字架循环中加入了所谓的"叙事封装"这种技巧包括将同一故事的几个版本分层在一个统一的构图中，以丰富意义的结构。这里将从他的循环中列举三个例子，以说明它们如何以扩展的形式增强叙事的整体意义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.