Raphael's Designer Labels: From the Virgin Mary to La Fornarina

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2003-01-01 DOI:10.2307/1483734

Rona Goffen

引用次数: 8

Abstract

The way in which Raphael signed his paintings signified much more than a declaration of authorship. Of course, the choice of words is meaningful in itself, but even more than the wording, Raphael exploited the placement of his signature within the composition to express his piety, his professional ambition, and his sense of accomplishment. In particular, those signatures written on the garments of various personages are significant precisely because a name written on a figure in that way is usually taken to identify that person, not the maker of the image. Taken together, the inscriptions almost constitute an autobiography, culminating with Raphael's last signature, on the armband of La Fornarina.

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拉斐尔的设计师标签:从圣母玛利亚到La Fornarina

拉斐尔在画作上签名的方式远不止是作者身份的声明。当然，文字的选择本身是有意义的，但比措辞更重要的是，拉斐尔利用他的签名在构图中的位置来表达他的虔诚、他的职业抱负和他的成就感。特别是，那些写在不同人物衣服上的签名意义重大，因为以这种方式写在人物身上的名字通常被认为是那个人的身份，而不是图像的制造者。这些题词加在一起，几乎构成了一部自传，最后是拉斐尔在《福尔纳里纳》袖章上的最后签名。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.