What Is Expressed in Michelangelo's "Non-Finito"

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2003-01-01 DOI:10.2307/1483730

C. Gilbert

引用次数: 11

Abstract

Response to Michelangelo's unfinished works is unlike that to all other artists'. Early commentators, even while registering their unfinished status as problematic, found them perfect. Later they were called his finest works, without qualifications. How is this reconcilable with their not being what was planned by the artist, whose talent presumably let him articulate his statements? Here attention is drawn to several poems of Michelangelo's where unfinished sculpture is a motif. Thus, even if undesirable, this was approached by him as a conscious object of contemplation with meaning.

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米开朗基罗的《非终结》表达了什么

人们对米开朗基罗未完成作品的反应不同于对所有其他艺术家的反应。早期的评论者虽然认为它们的未完成状态有问题，但也认为它们是完美的。后来这些作品被无条件地称为他最好的作品。这怎么能与他们不是艺术家所计划的相协调呢?他的天赋大概能让他表达自己的观点。这里的注意力被吸引到米开朗基罗的几首诗中，其中未完成的雕塑是一个主题。因此，即使不受欢迎，他也把这当作一个有意识的有意义的沉思对象。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.