Rembrandt and the Church Interiors of the Delft School

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2002-01-01 DOI:10.2307/1483706

S. Michalski

引用次数: 2

Abstract

The new "Delft-type" of church interiors appeared in Dutch painting of the Golden Age exactly at mid-century. It is characterized by an original two-point scheme designed to form a corner at the nearest, assymetrically placed column. No convincing explanation has been provided for this "dramatic turn around 1650" (Giltaij), especially in view of the fact that Gerard Houckgeest - the inventor of the scheme - painted still in 1648 church interiors of the traditional type. I would like to suggest here a source of possible inspiration, namely Rembrandt's Medea-etching of 1648, which on closer analysis shows a similar spatial arrangement. A further link might be provided by the use of curtains both in Rembrandt's works (Holy Family, 1646) and in the church interiors of the Delft-type.

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伦勃朗与代尔夫特学校的教堂内饰

新的“代尔夫特式”教堂内饰出现在黄金时代的荷兰绘画中，正好是在本世纪中叶。它的特点是一个原始的两点方案，旨在形成一个角落在最近的，不对称放置柱。对于这种“1650年的戏剧性转变”(Giltaij)，没有令人信服的解释，特别是考虑到该方案的发明者Gerard Houckgeest在1648年仍然画传统类型的教堂内部。我想在这里提出一个可能的灵感来源，即伦勃朗1648年的美狄亚蚀刻，仔细分析可以发现类似的空间安排。伦勃朗的作品(《神圣家族》，1646年)和代尔夫特式教堂内部都使用了窗帘，这可能提供了进一步的联系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.