"Don Quichotte", Daumier et la légende de l'artiste"

IF 0.1 3区 艺术学 0 ART
P. Kaenel
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引用次数: 0

Abstract

Don Quixote occupies an emblematic place in Daumier's work. But contrary to the literary myth of Cervantes's hero, the legend surrounding the artist is based on sparse textual and biographical sources. With 29 paintings and 41 drawings, the Don Quixote motif is the most important in Daumier's work. But why? The «marvelous kinship» (J. Adhemar) between Don Quixote and Daumier must be reinterpreted in the light of ideological, literary and artistic relationships between Spain and France in the 19th century. They reveal that the Don Quixote iconography, far from merely reflecting in an autobiographical fashion the failure of an ageing artist, is instead instrument of conquest and of artistic recognition.
“唐吉诃德”,多米尔和艺术家的传奇
堂吉诃德在多米埃的作品中占据了一个象征性的位置。但与塞万提斯笔下英雄的文学神话相反,围绕这位艺术家的传说是基于稀疏的文本和传记来源。有29幅油画和41幅素描,堂吉诃德主题是多米埃作品中最重要的。但是为什么呢?堂吉诃德和多米埃之间的“奇妙的亲属关系”(J. Adhemar)必须在19世纪西班牙和法国之间的意识形态,文学和艺术关系的基础上重新解释。它们揭示了堂吉诃德的肖像,远不是仅仅以自传体的方式反映一个老艺术家的失败,而是征服和艺术认可的工具。
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来源期刊
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期刊介绍: Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.
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