"The Golden Age... The First and Last Days of Mankind": Claude Lorrain and Classical Pastoral, with Special Emphasis on Themes from Ovid's Metamorphoses

IF 0.1 3区 艺术学 0 ART
Claire Pace
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引用次数: 1

Abstract

Claude's rendering of Ovidian scenes is best considered in the context of his approach to classical pastoral, and particularly his affinity to Sannazaro's Arcadia. The first part of this paper explores this aspect of Claude's work. The second part considers his treatment of subjects from Ovid, suggesting that his approach differs from that of earlier artists, avoiding dramatic and erotic subjects, and usually also avoiding the actual moment of metamorphosis. Claude's Acis and Galatea is seen as exemplifying his rendering of Ovidian scenes; showing a moment of idyllic happiness shortly to be disturbed by tragic events. This "vespertinal" mood is seen as according with that of pastoral in general. Thus Claude succeeds in reintegrating Ovid's subversive use of pastoral motifs into the pastoral tradition.
“黄金时代……“人类的最初和最后的日子”:克劳德·洛兰和古典田园,特别强调奥维德的《变形记》的主题
克劳德对奥维德场景的渲染最好放在他对古典田园的态度的背景下考虑,特别是他对桑那扎罗的阿卡迪亚的亲和力。本文的第一部分探讨了克劳德作品的这一方面。第二部分考虑了他对奥维德主题的处理,表明他的方法不同于早期艺术家,避免戏剧和色情主题,通常也避免了变态的实际时刻。克劳德的《阿西斯和加拉蒂亚》被认为是他对奥维德场景渲染的典范;表现出短暂的田园诗般的幸福,很快被悲剧事件所扰乱。这种“晚归”的情绪被视为与一般的田园风格一致。因此,克劳德成功地将奥维德颠覆性地使用田园主题重新融入田园传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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期刊介绍: Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.
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