Painted theory of art : le suicidé (1877) by Édouard Manet and the disappearence of narration

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2002-01-01 DOI:10.2307/1483687

U. Ilg

引用次数: 2

Abstract

The present article centers on Manet's painting Le suicide, so far little discussed in modern research. The reluctance of the painter to represent suicide within a narrative context is here considered as the most salient feature of this canvas and serves as a key for its interpretation. As further analysis shows, Manet's approach contradicted the tradition of representing suicide, according to which this subject was normally reserved to history painting and focused on the very aspects Manet chose to omit. It is argued that the artist thus deliberately displayed his disregard of the principles of academic painting and that Le suicide was an artistic manifesto of Manet's position within the Realist movement.

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绘画艺术理论:Édouard马奈的《自杀》(1877)与叙事的消失

本文以马奈的《自杀》为中心，研究迄今为止在现代研究中讨论较少的作品。画家不愿意在叙事语境中表现自杀，这被认为是这幅油画最显著的特征，也是解释这幅画的关键。进一步的分析表明，马奈的方法与表现自杀的传统相矛盾，根据传统，这一主题通常保留给历史绘画，并专注于马奈选择省略的方面。有人认为，艺术家因此故意表现出他对学院派绘画原则的漠视，Le suicide是马奈在现实主义运动中立场的艺术宣言。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.