Poetry V.G. Rudelev in the context of linguoecology of the “post” era

N. Potanina
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Abstract

The actual problem of cultural memory and its modern interpretations in scientific and artistic discourses is posed. The aim of the study is to analyze the images of cultural memory, interpreted as a poetological resource of V.G. Rudelev. The object of the study is the artistic structure of the lyrics of the “post” era. The material research method is based on an integrated approach that combines elements of cultural-historical, comparative-historical and poetological methods. In the course of a consistent consideration of the semantic and poetological content of representative lyrical texts by V.G. Rudelev, it is proved that the appeal to the artifacts of the past in the idiostyle of a particular author, which is characteristic of the linguoecology of the post-industrial era, does not necessarily indicate an ideological proximity to postmodernism. In the case of the lyrics of V.G. Rudelev, who captured the properties of the creative personality of a poet, scientist and university professor, the appeal to the precedent phenomena of humanitarian culture is dictated by the desire to promote confidence in human capabilities and thereby resist the ideologemes of postmodernity. The practical significance and prospects of the study lie in the possibility of using them for further development of the scientific concept of linguoecology of the “post” era, as well as by introducing the results obtained into the educational process, for conducting seminars on modern poetry.
“后”时代语言生态学语境下的鲁捷列夫诗歌
提出了文化记忆的现实问题及其在科学和艺术话语中的现代诠释。本研究的目的是分析文化记忆中的形象,并将其解读为鲁捷列夫的诗歌资源。研究对象是“后”时代歌词的艺术结构。材料研究方法是基于一种综合的方法,结合了文化历史、比较历史和诗学方法的元素。在对鲁捷列夫代表性抒情文本的语义和诗学内容的一致思考过程中,我们可以证明,在后工业时代的语言生态学特征中,特定作者的独特风格对过去的人工制品的吸引力并不一定表明其意识形态接近后现代主义。鲁捷列夫(V.G. Rudelev)的歌词抓住了诗人、科学家和大学教授的创造性人格的特点,对人道主义文化的先例现象的呼吁是为了提高对人类能力的信心,从而抵制后现代性的意识形态。研究的现实意义和前景在于,可以利用它们进一步发展“后”时代的语言生态学科学观念,并将研究成果引入教育过程,举办现代诗歌研讨会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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