INTERPRETATION ON SOME POSSIBLE DEPICTIONS OF THE HITTITE TUTELARY DEITY OF THE COUNTRYSIDE

IF 0.1 Q3 HISTORY
Serkan Demirel
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Abstract

This paper focuses on the depictions of deities on stag seen in Anatolia and its surroundings during the second millennium BC. DLAMMA.LĺL “Tutelary Deity of the Countryside” can be considered as one of the deities represented by the name rendered as DKAL. Although the deity is identified with the hunting deity and the Stag-god (Ku)Runtiya and Innara/Annari in the Assyrian Colony Period, as suggested earlier, further support for this identification is rendered in this paper. Additionally, there are criticisms on the differentiation in the iconographic appearance of the deity during the second millennium BC and other depictions associated with this deity. Concordantly, the deity is depicted on a stag in the Assyrian Colony Age, with a bird in his hand emphasizing the deity’s hunting character and a lituus in the other hand. The iconographic features of the deity seem to have been preserved during the transition from the Colony Age to the Hittite Period. The depictions associated with the deity in Hittite Period can be divided into three groups. The first group comprises imagery whereby the deity holds a lituus in his hand, which may be related to the deity's rise to prominence in the state cult. The only difference in the second group, which is other similar to the first group, is that the deity stands on the ground instead of standing on a stag. The deity, assumed to be equated with the Tutelary Deity of the Countryside and included in the descriptions that can be called the third group, is depicted in a typical libation scene, sitting on a cross stool and holding a bird in his hand. However, this latter deity must obviously be a different deity in terms of its iconographic features. The Stag-god, who is the deity of wildlife and hunting in the Late Hittite Period art, stands on a stag. However, the hunter title of the deity is represented sometimes by a bird he holds in his hand, and sometimes by a bow and spear. This can also be associated with hunting. It is during this period that the winged sun disk (instead of lituus), can be interpreted as a continuation of the custom also regarding the deity in the state cult, as it began to appear in the depictions of the deity.
对赫梯人乡村守护神的一些可能描述的解释
本文主要研究公元前2000年安纳托利亚及其周边地区的牡鹿神像。DLAMMA。LĺL“乡村守护神”可以被认为是DKAL这个名字所代表的神之一。虽然在亚述殖民地时期,神被认为是狩猎神、雄神(Ku)Runtiya和Innara/Annari,但如前所述,本文进一步支持了这一认同。此外,在公元前第二个千年期间,对神的肖像外观的差异以及与此神相关的其他描绘也有批评。与之相一致的是,在亚述殖民地时代,神被描绘成一只雄鹿,他手里拿着一只鸟,强调了神的狩猎性格,另一只手里拿着一根手杖。在从殖民地时代到赫梯时代的过渡时期,神的肖像特征似乎被保存了下来。赫梯时期与神有关的描述可以分为三组。第一组包括神手里拿着一个lituus的图像,这可能与神在国家崇拜中的突出地位有关。第二组与第一组相似,唯一的区别是神站在地上,而不是站在牡鹿上。该神被认为等同于农村的守护神,被包括在可以被称为第三组的描述中,被描绘成一个典型的献祭场景,坐在十字架上,手里拿着一只鸟。然而,就其形象特征而言,后者显然是一个不同的神。在赫梯晚期艺术中,鹿神是野生动物和狩猎之神,他站在牡鹿身上。然而,神的猎人头衔有时由他手中的一只鸟来代表,有时由弓和矛来代表。这也可能与狩猎有关。正是在这一时期,有翼的太阳圆盘(而不是lituus),可以被解释为国家崇拜中关于神的习俗的延续,因为它开始出现在神的描绘中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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