Online Creative Drama During the Pandemic

Belgin Bal İncebacak
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引用次数: 2

Abstract

This research is aimed to reveal the views of students who are educated and not receiving creative drama about distance education. The research was conducted with 77 participants (38 experimental groups, 39 control groups) selected from students studying at a public university in the Black Sea region. In the research, a weak post-test experimental design was used. The experimental group was given a fourteen-session creative drama dating program developed by the researcher. The control group continued their theoretical and practical courses during the distance education process. As a measurement tool, the Scale of Determining the Views of Distance Education Students developed by Yildirim, Yildirim, Celik, and Karaman (2014) and the Vision Determination Interview Form for Distance Education were used. T- test were used to test whether there was a significant difference between the data obtained from the quantitative data of the study and the test and control group scores. Qualitative data are analyzed by content analysis. According to the research results, students who took creative drama courses said they enjoyed distance education, took an active role in the process, and felt as if they were in face-to-face education. Control group students stated that they had difficulty adapting to the course because they were passive and watched without turning on a camera
大流行期间的在线创意剧
本研究旨在揭示受过教育但未接受创造性戏剧的学生对远程教育的看法。该研究以黑海地区一所公立大学的77名学生(38个实验组,39个对照组)为对象进行。本研究采用弱后测实验设计。实验组接受了研究者开发的14期创造性戏剧约会项目。对照组在远程教育过程中继续进行理论和实践课程的学习。作为测量工具,我们使用了Yildirim、Yildirim、Celik和Karaman(2014)开发的《确定远程教育学生观点量表》和《远程教育愿景确定访谈表》。采用T检验检验从本研究的定量资料中获得的数据与试验组和对照组的得分是否存在显著性差异。定性数据通过内容分析进行分析。根据研究结果,参加创意戏剧课程的学生表示,他们喜欢远程教育,在这个过程中发挥了积极的作用,感觉就像在接受面对面的教育。控制组的学生表示,他们很难适应课程,因为他们是被动的,没有打开相机观看
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28 weeks
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