O ativismo digital de Lorelay Fox: estética e performance de gênero

Q4 Social Sciences

Comunicacao Midia e Consumo Pub Date : 2017-08-22 DOI:10.18568/CMC.V14I40.1316

Josefina Silva

引用次数: 0

Abstract

In this article I inquire the YouTube channel “Para Tudo” of the drag Lorelay Fox, questioning its political and communicational character, since the technologies are embedded to youth political appropriations operated in digital cartographies. The aim is to discuss how the performance and aesthetics of Lorelay Fox configure their gender activism. Ethnography is the methodology: the fieldwork is formatted by the “dense observation” of the videos and the in depth interview with Danilo Dabague – the creator of Lorelay Fox.

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罗雷·福克斯的数字行动主义:美学与性别表现

在这篇文章中，我询问了Lorelay Fox的YouTube频道“Para Tudo”，质疑其政治和传播特征，因为这些技术被嵌入到以数字地图方式运作的青年政治拨款中。目的是讨论Lorelay Fox的表演和美学如何配置他们的性别行动主义。人种学是方法论:田野调查是通过对视频的“密集观察”和对Lorelay Fox的创造者Danilo Dabague的深入采访来形成的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Comunicacao Midia e Consumo Social Sciences-Communication

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

30 weeks

期刊介绍： The journal Comunicação, Mídia e Consumo – Communication, Media and Consumption – is published in printed and digital versions by the Programa de Pós-Graduação em Comunicação e Práticas de Consumo da ESPM-SP – Postgraduate Programme in Communication and Consumption Practices of ESPM-SP – Escola Superior de Propaganda e Marketing – Superior School of Propaganda and Marketing and it is evaluated as Qualis A2; its editorial line is to approach relevant topics of the field of Communication, understood here as a complex socio-cultural process and practice. The articles must be well-founded and mobilise different authors of a given theoretical tendency so that they develop a critical reflection about the approached thematic topics. In the case of empirical articles, besides the contextualisation and the descriptive stage of the material, we privilege articles which present a theoretico-interpretative of the aspects that are observed in the corpus.