Quino: la risa y el plumín al servicio de desentrañar esa madeja que es el ser humano

IF 0.2 0 LITERATURE
M. Burkart
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引用次数: 0

Abstract

On September 30, Quino, one of the Argentine graphic humorists with the greatest worldwide recognition, passed away. He left the day after his emblematic strip, “Mafalda”, turned 56 since its first publication in the Argentine magazine Primera Plana. In a matter of hours, they went from celebrating the birthday of the “rebellious” girl to firing her creator. And many, if not most, of the tributes remembered Quino exclusively for "Mafalda" which constitutes a huge injustice as others, in the minority, warned. Indeed, Quino's work does not begin or end with “Mafalda”, and in these pages I would like to refer to his entire production ˗including, of course, “Mafalda” ˗ with the purpose of paying homage to this humorist who made us laugh at himself time to reflect on the human condition and life in modern society.
基诺:笑声和羽毛服务于解开人类的编织
9月30日,享誉世界的阿根廷幽默漫画家基诺逝世。他的标志性连环画《玛法尔达》(Mafalda)首次在阿根廷杂志《Primera Plana》上发表后,已经56岁了。在几个小时内,他们从庆祝“叛逆”女孩的生日变成了解雇她的创造者。许多人(如果不是大多数的话)只记得基诺的“玛法尔达”,正如少数人警告的那样,这构成了巨大的不公正。的确,基诺的作品并非以“马法尔达”开始,也不是以“马法尔达”结束,在这里,我想提及他的全部作品——当然也包括“马法尔达”——以向这位让我们自嘲、反思现代社会人类状况和生活的幽默大师致敬。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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