Cold Comfort: Empathy and Memory in an Archaic Funerary Monument from Akraiphia

IF 0.9 2区 历史学 0 CLASSICS
S. Estrin
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引用次数: 3

Abstract

Focusing on a single funerary monument of the late archaic period, this paper shows how such a monument could be used by a bereaved individual to externalize and communalize the cognitive, perceptual, and emotional effects of loss. Through a close examination of the monument’s sculpted relief and inscribed epigram, I identify a structural framework underlying both that is built around a disjunction between perception and cognition embedded in the self-identified function of the monument as a mnema or memory-object. Through the analysis of other epigrams and literary passages, this disjunctive framework is shown to be derived, in turn, from broader conceptualizations in archaic Greece about how both mental images, including memories, and works of art allowed continued visual, but not cognitive-affective, access to the deceased. From this perspective, the monument’s relief opens up to us the experience of the bereaved individual who is only able to connect with the deceased through a remembered mental image.
冰冷的安慰:阿克雷菲亚古代丧葬纪念碑中的移情和记忆
本文以古代晚期的一座丧葬纪念碑为研究对象,展示了丧亲个体如何利用这样一座纪念碑将丧亲带来的认知、知觉和情感影响外化和公共化。通过对纪念碑雕刻浮雕和铭刻警句的仔细研究,我确定了一个结构框架,它围绕着感知和认知之间的脱节而建立,这种脱节嵌入在纪念碑作为记忆或记忆对象的自我认同功能中。通过对其他警句和文学段落的分析,这种分离的框架被证明是从古希腊更广泛的概念中衍生出来的,即包括记忆在内的心理图像和艺术作品如何允许持续的视觉,但不是认知情感,接近死者。从这个角度来看,纪念碑的浮雕向我们展示了失去亲人的人的经历,他们只能通过记忆中的精神形象与死者建立联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
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